Senin, 28 Maret 2016

# Free Ebook Alice Munro's Best: Selected Stories, by Alice Munro

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Alice Munro's Best: Selected Stories, by Alice Munro

In her lengthy and fascinating introduction Margaret Atwood says “Alice Munro is among the major writers of English fiction of our time. . . . Among writers themselves, her name is spoken in hushed tones.”

This splendid gift edition is sure to delight Alice Munro’s growing body of admirers, what Atwood calls her “devoted international readership.” Long-time fans of her stories will enjoy meeting old favourites, where their new setting in this book may reveal new sides to what once seemed a familiar story; devoted followers may even dispute the exclusion of a specially-beloved story. Readers lucky enough to have found her recently will be delighted, as one masterpiece succeeds another.

The 17 stories are carefully arranged in the order in which she wrote them, which allows us to follow the development of her range. “A Wilderness Station,” for example, breaks “short story rules” by taking us right back to the 1830s then jumping forward more than 100 years. “The Albanian Virgin” destroys the idea that her stories are set in B.C. or in Ontario’s “Alice Munro Country.” And “The Bear Came Over the Mountain,” the story behind the film Away From Her, takes us far from the world of young girls learning about sex into unflinching old age.

This is a book to read slowly, savouring each story. It deserves a place in every Canadian book-lover’s library.

  • Sales Rank: #569281 in Books
  • Published on: 2008-10-28
  • Released on: 2008-10-28
  • Format: International Edition
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.50" w x 6.45" l,
  • Binding: Hardcover
  • 536 pages

Review
From reviews of The View From Castle Rock:

“Masterful. . .Munro really does know magic: how to summon the spirits and the emotions that animate our lives.” — Washington Post

“She proves herself once again one of those rare writers whose work changes the lives of her readers.” — Books in Canada

“The power of Munro’s storytelling never falters. . .This is a remarkable book.” — Sunday Telegraph

“The pre-eminent master of the short story. . .all delivered by her spare, wonderful prose.” — Independent on Sunday

“Thrilling. . .by the final page, the reader realizes that every word had been not only deliberate but essential.” — Newsday

About the Author
Born in Wingham, Ontario in 1931, Alice Munro has been hailed as a writer in the tradition of Chekhov. She has won many awards and prizes all over the English-speaking world. She and her husband divide their time between Clinton, Ontario, and Comox, British Columbia.

Excerpt. © Reprinted by permission. All rights reserved.
From “Differently”

Georgia got a part-time job in a bookstore, working several evenings a week. Ben went away on his yearly cruise. The summer turned out to be unusually hot and sunny for the West Coast. Georgia combed her hair out and stopped using most of her makeup and bought a couple of short halter dresses. Sitting on her stool at the front of the store, showing her bare brown shoulders and sturdy brown legs, she looked like a college girl — clever but full of energy and bold opinions. The people who came into the store liked the look of a girl — a woman — like Georgia. They liked to talk to her. Most of them came in alone. They were not exactly lonely people, but they were lonely for somebody to talk to about books. Georgia plugged in the kettle behind the desk and made mugs of raspberry tea. Some favored customers brought in their own mugs. Maya came to visit and lurked about in the background, amused and envious.

“You know what you’ve got?” she said to Georgia. “You’ve got a salon! Oh, I’d like to have a job like that! I’d even like an ordinary job in an ordinary store, where you fold things up and find things for people and make change and say thank you very much, and colder out today, will it rain?”

“You could get a job like that,” said Georgia.

“No, I couldn’t. I don’t have the discipline. I was too badly brought up. I can’t even keep house without Mrs. Hanna and Mrs. Cheng and Sadie.”

It was true. Maya had a lot of servants, for a modern woman, though they came at different times and did separate things and were nothing like an old-fashioned household staff. Even the food at her dinner parties, which seemed to show her own indifferent touch, had been prepared by someone else.

Usually, Maya was busy in the evenings. Georgia was just as glad, because she didn’t really want Maya coming into the store, asking for crazy titles that she had made up, making Georgia’s employment there a kind of joke. Georgia took the store seriously. She had a serious, secret liking for it that she could not explain. It was a long, narrow store with an old-fashioned funnelled entryway between two angled display windows. From her stool behind the desk Georgia was able to see the reflections in one window reflected in the other. This street was not one of those decked out to receive tourists. It was a wide east-west street filled in the early evening with a faintly yellow light, a light reflected off pale stucco buildings that were not very high, plain storefronts, nearly empty sidewalks. Georgia found this plainness liberating after the winding shady streets, the flowery yards and vine-framed windows of Oak Bay. Here the books could come into their own, as they never could in a more artful and enticing suburban bookshop. Straight long rows of paperbacks. (Most of the Penguins then still had their orange-and-white or blue-and-white covers, with no designs or pictures, just the unadorned, unexplained titles.) The store was a straight avenue of bounty, of plausible promises. Certain books that Georgia had never read, and probably never would read, were important to her, because of the stateliness or mystery of their titles. In Praise of Folly. The Roots of Coincidence. The Flowering of New England. Ideas and Integrities.

Sometimes she got up and put the books in stricter order. The fiction was shelved alphabetically, by author, which was sensible but not very interesting. The history books, however, and the philosophy and psychology and other science books were arranged according to certain intricate and delightful rules — having to do with chronology and content — that Georgia grasped immediately and even elaborated on. She did not need to read much of a book to know about it. She got a sense of it easily, almost at once, as if by smell.

At times the store was empty, and she felt an abundant calm. It was not even the books that mattered then. She sat on the stool and watched the street — patient, expectant, by herself, in a finely balanced and suspended state.

She saw Miles’ reflection — his helmeted ghost parking his motorcycle at the curb — before she saw him. She believed that she had noted his valiant profile, his pallor, his dusty red hair (he took off his helmet and shook out his hair before coming into the store), and his quick, slouching, insolent, invading way of moving, even in the glass.

It was no surprise that he soon began to talk to her, as others did. He told her that he was a diver. He looked for wrecks, and lost airplanes, and dead bodies. He had been hired by a rich couple in Victoria who were planning a treasure-hunting cruise, getting it together at the moment. Their names, the destination were all secrets. Treasure-hunting was a lunatic business. He had done it before. His home was in Seattle, where he had a wife and a little daughter.

Everything he told her could easily have been a lie.

He showed her pictures in books — photographs and drawings, of mollusks, jellyfish, the Portuguese man-of-war, sargasso weed, the Caribbean flying fish, the girdle of Venus. He pointed out which pictures were accurate, which were fakes. Then he went away and paid no more attention to her, even slipping out of the store while she was busy with a customer. Not a hint of a goodbye. But he came in another evening, and told her about a drowned man wedged into the cabin of a boat, looking out the watery window in an interested way. By attention and avoidance, impersonal conversations in close proximity, by his oblivious prowling, and unsmiling, lengthy, gray-eyed looks, he soon had Georgia in a disturbed and not disagreeable state. He stayed away two nights in a row, then came in and asked her, abruptly, if she would like a ride home on his motorcycle.

Georgia said yes. She had never ridden on a motorcycle in her life. Her car was in the parking lot; she knew what was bound to happen.

She told him where she lived. “Just a few blocks up from the beach,” she said.

“We’ll go to the beach, then. We’ll go and sit on the logs.”

That was what they did. They sat for a while on the logs. Then, though the beach was not quite dark or completely deserted, they made love in the imperfect shelter of some broom bushes. Georgia walked home, a strengthened and lightened woman, not in the least in love, favored by the universe.

“My car wouldn’t start,” she told the baby-sitter, a grandmother from down the street. “I walked all the way home. It was lovely, walking. Lovely. I enjoyed it so much.”

Her hair was wild, her lips were swollen, her clothes were full of sand.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Perfection
By An admirer of Saul
A superb collection of stories set in small town Canada and the people in them; the lonely; the misinterpretations between men and women, parents and children, the young and the old and the search for meaning in lives mainly governed by circumstance and chance.Each story is rich in detail and a joy to read.
Dedicated Munro readers would have come across these tales elsewhere, but as an introduction-or the book you give out to introduce her to friends and family-this is a fantastic collection.
'Perfection' is often used to describe Alice Munro's stories. As you have to write at least 20 words for an Amazon review, writing 'Perfection' 20 times would be a worthy review. Already, Alice Munro can be classified as an all time Nobel great.

1 of 1 people found the following review helpful.
Insightful descriptions of a small Canadian society
By Bob McGill
Insightful short stories about the part of Canada ( south western Ontario) that I grew up in and a remarkable description of its society and social mores of the 1940's through 1960's.

1 of 1 people found the following review helpful.
excellent insightful and enjoyable stories
By John Csernecky
Typical Munro, excellent insightful and enjoyable stories. A welcome break from from the machine novels of today

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Minggu, 27 Maret 2016

^ Ebook Free Today is the first day of the rest of your life, by Robert Thomas Allen

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Book by Allen, Robert Thomas

  • Sales Rank: #6571148 in Books
  • Brand: Brand: McClelland and Stewart
  • Published on: 1971
  • Number of items: 1
  • Binding: Paperback
  • 112 pages
Features
  • Used Book in Good Condition

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? Download PDF Siberian Education: Family, Honour, and Tattoos: An Extraordinary Underworld Life, by Nicolai Lilin

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Siberian Education: Family, Honour, and Tattoos: An Extraordinary Underworld Life, by Nicolai Lilin

A vivid, shocking, at times poetic revelation of a world we never imagined existed. Siberian Education is a real-life Eastern Promises seen through the eyes of a boy growing up in the close-knit community of the Urkas, descendants of criminals relocated from Siberia to the banks of the Dniester River, between Moldavia and Ukraine, in the 1930s. A tale of an extreme boyhood — violent, governed by rules of honour passed down through legend and taught via elaborate and mysterious tattoos, and ultimatedly doomed to disappear amidst post-Soviet capitalist gangsterism: an utterly unique look at a vanished society from someone who knew it intimately, even though he is not yet 30 years old.

  • Sales Rank: #12209226 in Books
  • Published on: 2011-09-06
  • Released on: 2011-09-06
  • Format: International Edition
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.98" h x 1.23" w x 5.18" l,
  • Binding: Paperback
  • 464 pages

Review
"A rarity. It tells the story of a world that has disappeared — that of the Siberian Urkas, the community of criminals deported by Stalin. You have to force yourself to forget about categories of good and evil. You have to just be there and read. . . . [It] will produce a thrill of pleasure that is hard to forget." 
— Roberto Saviano, author of Gomorrah

"Terrifying, fascinating, horrific and violent — Lilin's memoir is an eye-opening and gripping account of a childhood spent in the brutal Siberian underworld."
— Simon Sebag-Montefiore, author of Young Stalin

"Astonishing. . . . Takes you into some very strange worlds; frightening, violent and yet with spirited moments of redemption which both offer hope and keep you reading. . . . Remarkable for its authenticity. . . . A breathtaking memoir." 
— Misha Glenny, author of McMafia
 
"This story makes most of what we call true crime writing seem insipid and effete. Nicolai Lilin has produced a marvellous and illuminating book, which goes way beyond an expose of a subculture and lifestyle, and eventually forces us to reassess our notions of good and evil. If you want to understand how the so-called Russian Mafia came to dominate the global criminal underworld, Siberian Education provides many of the answers. An isolated, persecuted people, drawn together by a ruthless yet vividly moral bond against the authorities, and who relentlessly refuse to cede the monopoly of violence to the state, in our sanitized Facebook and Twitter world order, perversely emerge as the last great caste of anti-heroes." 
— Irvine Welsh, author of Trainspotting

"A chilling portrait of the viciousness that comes from political disenfranchisement. . . . [Lilin] brilliantly depicts a criminal underworld of strict mores, arcane logic and brutal justice. . . . Amid the depravity of its anti-heroes, Siberian Education paints a memorable world of anarchism, devotion, humor and respect."
— The Wall Street Journal online

“A bracing, true-crime curiosity. . . . A meditation on kin, clan and freedom, and works overtime at inverting traditional notions of law and morality. . . . Rollicking. . . . A discursive amble through the minutiae of the Siberian criminal underworld.” 
 — National Post

About the Author
NICOLAI LILIN was born in 1981 and grew up in the small Soviet republic of Transnistria, which declared its independence from the Russian federation in 1991, although Russia has never recognized this. As a young adult, Nicolai was conscripted into the Russian army and sent to fight in Chechnya. He later became a fisherman off the coast of Ireland, before moving to Italy where he currently runs a tattoo parlour in Turin. Siberian Education is his first book.

JONATHAN HUNT was born in Portsmouth in 1951. He has taught at the universities of Munich, Cambridge, and Turin, and his translations from the Italian include Niccolo Ammaniti's I'm Not Scared and Steal You Away, and Carlo Petrini's Slow Food Nation.

Excerpt. © Reprinted by permission. All rights reserved.
I know it shouldn’t be done, but I’m tempted to start from the end.
 
For example, from the day we ran through the rooms of a ruined building, firing at the enemy from such close range we could almost touch them with our hands.
 
We were exhausted. The paratroopers worked in shifts, but we saboteurs hadn’t slept for three days. We went on like the waves of the sea, so as not to give the enemy the chance to rest, carry out manoeuvres or organize their defences. We were always fighting, always.
 
That day I ended up on the top floor of the building with Shoe, trying to eliminate the last heavy machinegun. We threw two hand grenades.
 
In the dust that was falling from the roof we couldn’t see a thing, and we found ourselves face to face with four enemies who like us were wandering like blind kittens through the grey, dirty cloud, which reeked of debris and burnt explosive.
 
I had never shot anyone at such close quarters in all my time in Chechnya.
 
Meanwhile, on the first floor our Captain had taken a prisoner and killed eight enemies, all by himself.
 
When I came out with Shoe I was completely dazed. Captain Nosov was asking Moscow to keep an eye on the Arab prisoner, while he, Ladle and Zenith went to check out the cellar.
 
I sat on the stairs next to Moscow, opposite the frightened prisoner, who kept trying to communicate something. Moscow wasn’t listening to him, he was sleepy and tired, as we all were. As soon as the Captain turned his back, Moscow pulled out his pistol – an Austrian Glock, one of his trophies – and, with an arrogant leer, shot the prisoner in the head and chest.
 
The Captain turned round, and looked at him pityingly without saying a word.
 
Moscow closed his eyes as he sat down beside the dead man, overcome with exhaustion.
 
Looking at all of us as if he were meeting us for the first time, the Captain said:
 
‘This is too much. Everyone into the cars! We’re going for a rest, behind the lines.’
 
One after another, like zombies, we trooped off towards our vehicles. My head was so heavy I was sure that if I stopped it would explode.
 
We went back behind the lines, into the area controlled and defended by our infantry. We fell asleep instantly; I didn’t even have time to take off my jacket and ammunition belt before I fell into the darkness, like a dead man.
 
Soon afterwards Moscow woke me by hammering the butt of his Kalashnikov on my jacket, at chest level. Slowly and reluctantly I opened my eyes and looked around; I struggled to remember where I was. I couldn’t get things into focus.
 
Moscow’s face looked tired; he was chewing a piece of bread. Outside it was dark; it was impossible to tell what time it was. I looked at my watch but couldn’t see the digits; everything was hazy.
 
‘What’s happening? How long have we slept?’ I asked Moscow in a weary voice.
 
‘We haven’t slept at all, brother . . . And I think we’re going to have to stay awake quite a while longer.’
 
I clasped my face between my hands, trying to muster the strength to stand up and arrange my thoughts. I needed to sleep, I was exhausted. My trousers were dirty and wet, my jacket smelled of sweat and fresh earth. I was worn out.
 
Moscow went to wake the others:
 
‘Come on, lads, we’re leaving immediately . . . We’re needed.’
 
 
They were all in despair; they didn’t want to get up. But, grumbling and cursing, they struggled to their feet.
 
Captain Nosov was pacing around with the handset to his ear, and an infantryman was following him around like a pet dog, with the field radio in his rucksack. The Captain was angry; he kept repeating to somebody or other, over the radio, that it was the first break we’d taken in three days, and that we were at the end of our tether. It was all in vain, because eventually Nosov said, in a clipped tone:
 
‘Yes, Comrade Colonel! Confirmed! Order received!’
 
They were sending us back to the front line.
 
I didn’t even want to think about it.
 
I went over to a metal tank full of water. I dipped my hands into it: the water was very cool; it made me shiver slightly. I put my whole head into the drum, right under the water, and kept it there for a while, holding my breath.
 
I opened my eyes inside the tank and saw complete darkness. Alarmed, I jerked my head out, gasping for air.
 
The darkness I’d seen in the tank had shocked me. Death might be just like that, I thought: dark and airless.
 
I leaned over the tank and watched, shimmering on the water, the reflection of my face, and of my life up to that moment.

Most helpful customer reviews

11 of 13 people found the following review helpful.
Incredible
By Sergey Khromov-Borisov
All the content of this book is genuine lies.

It's really amazing how deceivable the Western people can be. And the publishers could at least ask - not even an expert but any Russian person, about truthfulness of this delirious nonsense. We all laugh here at this book and even more at the reviews of many reputable Western literary critics.

0 of 0 people found the following review helpful.
Book Okay....quick read.
By Biff
Saw "Deadly Code" (movie based on this book) with John Malkovich and was interested enough to buy the book.

This book is almost stream of consciousness the way he rambles at times. Reminds me of the book "Gangs of New York" (which was simply a series of newspaper articles) in that the storyline is a series of stories that hop from one story to another to another and then finally back to the original - - you really have to pay attention to get it.

The book was okay - - I couldn't wait to finish it because I wanted it done so I could move on.

10 of 13 people found the following review helpful.
NEITHER ONE THING NOR THE OTHER
By DAVID BRYSON
Be careful about acquiring this effort on the basis of short synopses or seeming recommendations that you may read. You might get an unduly favourable impression, as I did myself, of what is in store for you. It is neither one thing nor the other, as Churchill said when he saw the name Bossom in a list of members of parliament. It is neither fact nor fiction, and to call it autobiography or depiction of a culture would involve a huge strain of either term. It is not really even a book in my own opinion.

What it resembles is a serial appearing every 7 days in some weekly magazine. When I was a boy there used to be several such magazines for my age-group, although the stories and events that they serialised were of course a lot more wholesome and edifying than this is. They were also shorter, and if you are determined to grit your teeth and finish this one you have 440 or so pages to cope with. Fortunately the quality of the writing is not a problem, it being competent enough. There are enough real difficulties, one being the corny narration of the supposedly quaint and purportedly interesting values and rites of this alleged community of Siberian criminals with their own codes of honour and conduct. When I was young the weekly mags that I have just mentioned used to fascinate us with tales of elite schools whose interns went through equally pointless pantomimes. We were intended to gawp at this exclusive nonsense like children with our noses pressed against the window of a shop whose wares were out of our price-range, and the whole atmosphere of it all came back to me forcibly when I read `The umbilical cord of newborn babies is cut with a pike, which must first have been left overnight in a place where cats sleep.' That gem is on p 31, but believe me, I really did struggle through to the bitter end, overcoming a powerful momentary sense that this was as much as I could endure.

It is all about the life and times (or deaths and times) of a Siberian community uprooted to the region of Transnistria. Transnistria is a strip of riverbank between the Ukraine and Moldova, and I believe that it declared independence in 1990, although this has been recognised only by Abharzia and South Ossetia, which in their turn have yet to achieve widespread recognition. The level of violence would have made the Kray twins quail, but, oddly, I experienced no sense of disgust because I believed very little of what I was reading. I don't doubt that it is all based on the author's background and experience, but it is blatant romancing. There is surprisingly little sex in the story, but if that is what you are looking for start at p 286, which inaugurates 20 or so pages of detailed descriptions of male rapes in a prison.

I can see no point in fretting over accuracy or verisimilitude, as these are manifestly not what this is all about. On p 79, for instance, I read that `in present-day Russia hardly anyone knows about the deportation of the Siberians to Transnistria.' That might be, I reflected, because it never happened, as a reliable source informs me. Even my own minimal grasp of the epoch is enough to let me correct the text on p 204, where the author seemingly commits himself to the belief that Yugoslavia was part of the Soviet bloc.

I hope and believe that that's a fair summary. If you wish to claim otherwise, you must at least read the lot from start to finish, as I genuinely did. It can be done, but it's a challenge.

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Jumat, 25 Maret 2016

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  • Sales Rank: #4410467 in Books
  • Brand: Brand: McClelland Stewart
  • Published on: 1983-01-01
  • Released on: 1983-01-01
  • Original language: English
  • Binding: Paperback
Features
  • Used Book in Good Condition

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The Stone Angel, by Margaret Laurence

  • Sales Rank: #5222793 in Books
  • Published on: 1998-04-04
  • Format: Import
  • Original language: English
  • Number of items: 2
  • Dimensions: 8.37" h x 1.17" w x 5.97" l,
  • Binding: Paperback

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41 of 42 people found the following review helpful.
Do not go gentle into that good night.
By Cipriano
This is essential CanLit 101.

Iconic!

For the longest time I have intended to read Margaret Laurence, and this is where I have started. I now know that I will continue on and read more of her work, especially the other Manawaka books in the series.

I think we are looking at some essential Canadian literature here, and yet, nearly every high school student from St John's to Victoria would rise up and say "What? Are you nuts?" As much as this book is inflicted upon the high-schoolers of Canada, it sure has not gained a welcome reception by that age group! For the Canadian teenager, seeing The Stone Angel on the English syllabus has become the equivalent of.... hmmm what would one say? Having a radio that is locked on the CBC station?

I believe this is because The Stone Angel is a book that is all about the "interior" and to truly love the book the reader must have an appreciation of the life processes involved in becoming an elderly person. From start to finish we are on the inside of this character Hagar Shipley. It is not the realm of the exciting pace and involved plotline. This book is rather a very somber, brooding, introspective look at a proud and uncompromising woman in her nineties. She is a woman who does not (in the slightest) want to succumb to the realities, adjustments, and inconveniences of aging and dying. As she faces the combined trauma of diminished health and loss of meaningful relationships, she has to come to terms with who she really is.

How far will her incessant pride and irritable crankiness get her in this last year of her life? How can she escape from those who try to make it all easier for her? Will she confess her unmitigated (and inevitable) need of others... of those who truly, and undauntingly, care for her well-being? Will she break down or remain haughty?

Laurence is simply brilliant in that she weaves a seamless web between the present and the past, between Hagar's current experience and her memories.

It is not easy, the transition[s] that we who will live on into old age will have to make if we are to succeed at being old. This book pulls no punches with how difficult the process can be, especially for the type "A" personality.

It is no accident that the book begins with the lines from Dylan Thomas:

Do not go gentle into that good night.

Rage, rage against the dying of the light.

It is a story about a woman who raged. And yet (in my opinion)there is not one real angry tirade in it! It is (I think) a different sort of "raging" that is being dealt with here in the story, as with the poem by Thomas. It is not the kind of raging that is with gritted teeth and defiance, [denial] it is the kind of raging that is mingled with profound sadness and regret... yes, anger too I suppose, but anger only because one has to leave behind so much of what one loves.

Here is the realistic journey of a woman who has to come to terms with the fact that "what's going to happen can't be delayed indefinitely."

I think the book is somewhat of a masterpiece. Voraciously, I read it.

31 of 32 people found the following review helpful.
I found this to be a totally engrossing, believable tale
By Kcorn
As you can probably tell by some of the other reviews, this book will NOT be for everyone. If you're looking for a quick escape, lots of action or a strong romance, this is not the book you want. However, if you enjoy books that aren't your usual fare and are strong on psychological tension, this is an excellent choice. I absolutely loved this story of an elderly woman, a rather judgmental, cantankerous person. I like novels that show how a person grows and changes and I find slow change to be most believable and true to life, as it is in this book. Many readers may have found Hagar Shipley's life to be rather mundane, even dull. But I didn't - her marriage to a man she eventually saw as inferior and coarse, her relationship with her children, her desire to make a proper home and better herself - were all quite realistic to me. As she becomes increasingly frail and dependent on her son and daughter-in-law, she also comes to see her life in a different way. I won't reveal more but I do urge you to read this one and stick with it. Odds are, you'll want to read more by the gifted author, Margaret Laurence.

20 of 22 people found the following review helpful.
Another thought......
By Cynthia Kerr
Most of the negative reviews seem to come from those who are forced to read this for their OAC requirements. I too had to read this book and I too could not, at the time, see WHY. In retrospect though I learned to appreciate what Hagar taught.....that space and the ability and right to choose for one's self is EVERYTHING. It's all we have.
Hagar's right to choices was fading and she felt trapped - hence the reason she ran from her present and retreated to the days where she faced a future full of decisions.......
Read this again when you are out of highschool and it all makes sense. Better yet, visit your relatives in a nursing home and think of Hagar.

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Kamis, 24 Maret 2016

^ Ebook Download Nubia and Egypt 10,000 B.C. to 400 A.D.: From Prehistory to the Meroitic Period, by Larry Ross

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Nubia and Egypt 10,000 B.C. to 400 A.D.: From Prehistory to the Meroitic Period, by Larry Ross

This is the first book to claim that the Black Nubians played an essential role in the rise of Ancient Egyptian civilization. Ross is the first scholar to argue that there is a shared origin of Nile Valley Civilization between Nubian and Egyptian cultures. Nubia today is known as the nation-states of Sudan and South Sudan, and has been misrepresented for thousands of years by Egyptian sources, which minimized the role the people played in world history. This book draws on recent archaeological findings that claim Pharonic symbolism, sacred bark, and serekh, are of Nubian origin, not Egyptian.

  • Sales Rank: #8337584 in Books
  • Published on: 2012-08-31
  • Original language: English
  • Dimensions: 9.00" h x 6.25" w x .75" l, 1.15 pounds
  • Binding: Hardcover
  • 229 pages

Review
"Dr. Larry Ross challenges the conventional view and scrupulously documents the latest archaeological research. Nubia, it appears, was not all that rustic, nor was it distinct from Egypt. Indeed, "Egyptian culture" is now known to have sprung from a Nubian root. Whether one agrees with him or not, his argument is one that must be addressed." (Prof. Gregory K. Anderson Lincoln University)"

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Rabu, 23 Maret 2016

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"Crossroads" is an English/Language Arts series for grades 7 to 10, developed by a team of educators from across Canada. This series provides a developmental approach to instruction over the four grades, and reflects congruence with all Canadian curricula, while meeting a wide range of student interests. Benefits/Features: Organized thematically - 6 themes; Alternate Table of Contents indicates genre and alternate themes, allowing organizational flexibility; Goals at a Glance boxes focus students on the key expectations/outcomes; Strategy boxes offer practical suggestions for activities that focus on writing, media studies, and literary analysis; Focus on Process pages provide in-depth, how-to guides for the processes of writing and other language strands; Student Response activities for each selection focus on writing, reading comprehension, and oral comprehension; and End of Unit activities provide a basis for formative evaluation covering all aspects of the curriculum.

  • Sales Rank: #187197 in Books
  • Published on: 1999
  • Ingredients: Example Ingredients
  • Number of items: 1
  • Dimensions: 9.69" h x .79" w x 7.44" l, 1.59 pounds
  • Binding: Hardcover

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