Selasa, 31 Maret 2015

!! Download PDF I'll See You in My Dreams: An Arthur Beauchamp Novel, by William Deverell

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I'll See You in My Dreams: An Arthur Beauchamp Novel, by William Deverell

This fifth in the bestselling, award-winning Arthur Beauchamp series finds the outwardly crusty, poetry-loving, wily old lawyer compelled, by new developments, to look back at his first -- and most disastrous -- murder trial. While renewing his annual try for the Most Points in Vegetables and Fruits at the Garibaldi Island Fall Fair, Arthur Beauchamp is forced by new developments to revisit his first murder trial, which went horribly wrong. Now, nearly 50 years later, he is opening old wounds but also facing a chance for redemption and reconciliation.

  • Sales Rank: #3773112 in Books
  • Brand: Brand: McClelland n Stewart
  • Published on: 2011-09-20
  • Released on: 2011-09-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.42" h x 1.30" w x 6.43" l, 1.72 pounds
  • Binding: Hardcover
  • 440 pages
Features
  • Used Book in Good Condition

Review

“William Deverell’s latest novel is his best… I’ll See You in My Dreams is a classic Canadian tale.”
—The Globe and Mail

Praise for William Deverell:

"Deverell is one of Canada's best and funniest mystery writers."
— Ottawa Citizen

"Vastly entertaining. . . . Deverell is rivalled only by Rumpole's John Mortimer." 
— Toronto Star

"Deverell is a master of the laugh-out-loud crime novel." 
— Vancouver Sun

About the Author
WILLIAM DEVERELL has published some fifteen novels. I'll See You In My Dreams is the fifth in his bestselling Arthur Beauchamp series: the first, Trial of Passion, won the prestigious Hammett Prize for literary excellence in crime writing and Canada's Arthur Ellis Best Novel Award; the second, April Fool, also won the Arthur Ellis Award; the third, Kill All the Judges, was a finalist for the 2009 Stephen Leacock Medal; and the fourth, Snow Job, was a Globe and Mail Best Book. One of the creators of the TV series Street Legal, Deverell winters in Costa Rica and spends his summers on Pender Island, British Columbia.

Excerpt. © Reprinted by permission. All rights reserved.
IT WAS JUST AFTER THE 1962 EASTER WEEKEND when Beauchamp’s first murder file landed on his desk. Only twenty-five, he was in his fourth year of practice and still regretting his choice of criminal law over pursuit of a doctorate in classical studies. So it was a matter of extreme irony that the case that finally tilted him toward the law involved the death of his respected – nay, idolized – tutor in the Greek and Roman classics, Dermot Mulligan, D.Th., Ph.D.
 
Let us put this life-shaping event in context. His firm, Tragger, Inglis, Bullingham, was perhaps the most conservative, the most staid of Vancouver’s major law offices, and it regarded its small criminal division almost with embarrassment, its staff as untouchables. This is where Beauchamp toiled, in a windowless office on the fourteenth floor of a West Hastings bank building.
 
By the spring of that year he had built a creditable record of victories, but only one of note: a dangerous driving charge against the Highways minister, Phil Gaglardi. Many had been cases from the Legal Aid Society, earning a paltry thirty-five-dollar per diem. Occasionally, to the disapproval of his seniors, he would even act pro bono – a beggar, a vagrant, a street drunk. He was a pushover for the sad stories of the oppressed.
 
Earlier that year he’d finally escaped from the stifling oppression of his parental home on University Hill, to a West End bachelor flat. One might often see him having a fifty-cent breakfast in one of the busy diners on Denman Street, or on lonely walks by English Bay: gangly at six foot three (friends called him Stretch), hair clipped short, sombre of expression, his lugubrious eyes and heroic nose combining to give an impression of craggy world-weariness. Picture him on a chill and misty April morning in Tragger, Inglis’s requisite uniform – overcoat, hat, dark suit, black shoes – striding beneath the pink-blossoming trees of the West End toward the crypt, as he called his windowless office, to prepare the cross-examination of a young woman whose front teeth had been knocked out by a detested client . . .
 
Tuesday, April 24, 1962
Ah, yes, Schlott – Hugo Schlott – that was his name. A beefy, red-faced, post-pubescent progeny of a doting, disbelieving mother who was paying my fee. The chief of the criminal section and my immediate superior, Alex Pappas, had handed it off to me with a smirking “Do your best, pal.” Truly the Schlott case represented the low point of twenty-five years of a life poorly lived, spent in random wandering without clear direction. It offered stark proof I had taken an ill-conceived detour from the path of enlightenment to the path of shame. The doors of academia had been opened wide, bounteous scholarships offered. Instead I was bound upon my barrister’s oath to defend an odious bully.
 
I had no stomach for the trial, and I fully intended not to punch in that day. Instead I would march into the den of the managing partner, Roy Bullingham, and announce I would be applying to Cambridge to complete my thesis on The Aeneid. I owed that to Dermot Mulligan, for he had opened those academic doors and I had failed him. Dr. Mulligan – author, classicist, philosopher, mentor throughout my master’s program at ubc – had disappeared on Easter weekend, only a few days before, from his retreat by the Squamish River, and it was feared the river had taken him to his death.
 
That it was a pleasant spring morning seemed only to add to my malaise. That I entered my building amid a hurrying group of pretty secretaries only made me feel more lonely. Members of the intimidating other sex tended to spurn this socially dysfunctional sad sack; I’d never known the touch of Venus, that which they call love.
 
For no accountable reason, those few moments in the rattling elevator stick in my mind (though withheld from my prying biographer as too delicate for his omnivorous ears). I’d plastered myself to the back wall of the crowded cage behind the comely Gertrude Isbister: nineteen, newly hired, among the loveliest of the flowers that adorned our secretarial pool. As the lift lurched in ascent, she made a misstep while adjusting her skirt. Without thought I reached out to steady her, my hand resting for an electric second on the fluffy fabric of her tight angora sweater.
 
I said, “I truly beg pardon. Excuse me” – something like that, my face aflame. Whether out of shyness or reproach, she did not respond, though she didn’t move away and continued tugging at her skirt. We were let out on the fourteenth floor (in reality the thirteenth, which, according to local legend, was the haunt of ghosts wailing from the air conditioners). As Gertrude preceded me, I saw that her right stocking was poorly aligned, puckered at the knee. Staring rapturously at that juncture of skirt and knee, I barely missed colliding with Geoffrey Tragger as he exited his office.
 
“Steady there, son,” he said, adjusting his glasses. “Beauchamp,
isn’t it?”
 
“Yes, sir. Arthur Beauchamp.” I was surprised. This absentminded senior partner, a corporate tax specialist, rarely recognized, let alone spoke to the forty-odd inferiors in practice there. “You’re on the criminal end, are you not?” (These and following conversations are reconstructed as best I can remember; do not call it creative non-fiction – I seek to offer a fair rendering, without gloss.) “Your name was mentioned this morning . . . Yes, Mr. Bullingham wants a tête-à-tête. Something that’s been in the news . . . Well, never mind. He’s waiting for you.”
 
Bully’s secretary showed me straight in. He was seated behind his massive oaken desk, a gaunt man of middle years, a skindeep sheen of affability disguising the Scrooge within. Lolling in an easy chair across from him was Alex Pappas, wearing a rumpled suit and a vanity hairpiece, fleshy wattles quivering below a stubbly chin.
 
“We got something for you, kid,” he said.
 
“Alex believes you’re up for this,” said Bully. “Your first murder.”
 
I had rehearsed an exit line from Pliny: Multi famam, conscientiam pauci verentur. Many fear their reputation, few their conscience. My conscience (I might have added) will not let me defend a violent misogynist, sir. Fie, I say, to reputation. But my tongue was tied. A murder? Something that had been in the news? I trolled through the possibilities: the gangland turf war then adorning the front pages, or maybe that psychotic who’d mistaken his mailman for the Antichrist.
 
Bully was sifting through the papers in a thin folder. “You really think he has it in him?”
 
“He’s streaky,” Pappas said. “Won five straight, dropped the next two. Then four wins – charity cases.”
 
“Yes, I’ve heard of his penchant for defending life’s losers. Noble intentions, I’m sure, but we can’t have too much of that. What about Crawford?”
 
Pappas lit a cigarette. “Too lazy. Arthur is the best of a poor lot. Not much jury experience, a couple of cases. He’s not afraid of work. Seems to have some innate tools. Almost unconsciously eloquent at times.”
 
I might not have been there. I retain an image of myself shifting from foot to foot, hands hanging loosely, staring at a framed photograph of a younger Bully greeting my hero, John George Diefenbaker, the famed orator, criminal lawyer, and then prime minister. A similar photo, Bully clasping the hand of Louis St. Laurent, had disappeared after the Tories submerged the Liberals four years earlier. Another campaign was underway that year, Dief fighting to hang on to his job. (By the mid-sixties Lester Pearson had replaced him on Bully’s wall.)
 
“Am I to be allowed in on the secret?” I asked boldly. “Which murder case is this?”
 
Pappas blew a stream of smoke. “Dermot Mulligan.”
 
My mouth fell open. “Dermot Mulligan? Murdered?”
 
“Read the papers much, kid? Some loudmouth Indian got charged yesterday. Maybe you should tell him to shut his yap before he talks his way to the gallows.”
 
I stammered, “I . . . I can’t take it on. Professor Mulligan was . . . I knew him. I took courses from him. A hugely respected scholar. I’d be fouling his memory.”
 
I was met with incredulous stares.
 
On the Saturday of Easter weekend, Mulligan had disappeared from his hobby farm – ten acres along the Squamish River, across from the snow-capped peaks of the Tantalus Mountains. In late March he’d begun a sabbatical there to write his memoirs; he was later joined by his wife, Irene. They were both about fifty, and childless. But I’d heard speculation from mutual friends that Gabriel Swift, a young aboriginal, had taken on a filial role, and that the Mulligans had begun to dote on him.
 
I was aware from news accounts that Swift was twenty-one and had worked a few years as their caretaker, looking after their A-frame cottage when they were at their Vancouver home. For the term of Mulligan’s sabbatical, Swift had moved back to the Cheakamus Reserve, though he returned daily for chores: splitting wood, operating a small tractor, tending a pair of riding horses. Shortly after Mulligan’s disappearance he’d been arrested, questioned, and released. But apparently on Easter Monday – just yesterday – he had been detained again, and this time charged with Mulligan’s murder.
 
A theologian and philosopher, Dr. Mulligan was also famed as a translator and expositor of classic literature, which he had taught me to love. A rebel within his once-revered Roman Catholic Church, he was a bit of an oddity, awkward and jumpy, slightly fey. His lectures were often brilliant, yet peppered with anecdotes that rarely seemed on point. A powerful scholar, he’d published nine books on philosophy, religion, and morality, the best of them meditations on the ancient gods and the poets who’d praised them. Thin, balding, given to wearing heavy horn-rims, he was a man reclusive in habits, rarely appearing outside home, hobby farm, and lecture hall. But I’d shared a glass of Madeira with him, had been among the privileged few to be invited into his book-lined den. Had I been his favourite? I wanted to believe so.
 
“I revered him . . . It’s hard to explain.”
 
 “Well, as long as he wasn’t going up your ass, I don’t see a problem.”
 
That salacious innuendo from Pappas I recall distinctly – I was contemplating ripping the toupée from his head.
 
“All the better that you hold a reverence for the deceased,” said Bully. “The jury will be the more impressed that you would defend his killer.”
 
This eye-popping presumption of guilt was, I think now, Bully’s effort to shock me, to force me into waving the flag for presumption of innocence. In putting my sense of justice to the test he thought to bend me, break my will.
 
“One must occasionally do the charitable thing,” Bully continued. “The image of the grasping lawyer is all too prevalent. So when the Legal Aid Society calls upon us to show our good heart, we do not demur, particularly for a high-profile case. And there are rewards beyond printer’s ink. They have offered an unusually generous hundred dollars per diem, plus a smaller amount for your junior counsel.” 
 
“Out of curiosity, whom do you have in mind?” I asked.
 
“Ophelia Moore,” Pappas said. “Spin this baby out and we may even turn a profit. And maybe you’ll get laid in the bargain.” The female staff called Pappas “Mister Hands” behind his back. It was all around the office that when he squeezed Mrs. Moore’s rear, she’d grabbed his testicles so hard he yelped.
 
Bully scowled at Pappas. “We don’t suggest you’ll win, young man. The odds are stacked against you. Eminent scholar slain by a hot-tempered Native with, doubtless, your typical drinking problem. But justice must seem to be done, and you, young Arthur, are the one who must seem to do it.”
 
There was more along this line. It was the ethical duty of counsel not to turn away the impoverished supplicant. This would be my chance, even in defeat, to embellish a growing reputation. A career-maker. Winnable cases would follow. Tragger, Inglis had its eye on me.
 
Despite my reservations, I felt challenged – I’d been worked over well. And I was intrigued; I had dreamed of putting what skills I had to the supreme test. A murder, a hanging offence! Maybe I owed Dr. Mulligan this – after all, he’d been not only an opponent of capital punishment but a vigorous supporter of Native rights. In his early years he’d been the principal of one of the Native residential schools that he later spoke of so scathingly. I suspected Swift had been his project of redemption.
 
Pappas stubbed out his smoke. “He’s waiting to meet you at Oakie.” Oakalla, in Burnaby, the regional prison.
 
“I have a trial. Hugo Schlott.”
 
“That bum? You’ll have to find some way to put it over, pal.”
 
“It’s set peremptorily. I’ve adjourned it seven times.”
 
“Mr. Pappas will be pleased to do it in your stead.” Bully’s expression warned that he would not hear debate. Pappas looked as if he’d taken a boot in the groin.
 
Before heading off to Oakalla Prison, I squirreled myself away in the Crypt with the file and several back issues of the Sun and the Province. The file was skimpy indeed: a legal aid form and a sheet of paper with some phone numbers – no details, no police report. The news stories (still extant, crisp, yellowed, and well-fondled by Wentworth Chance) revealed little. After Dr. Mulligan’s disappearance, some clothing, presumably his, was found by the riverbank half a mile from his cottage. They were being examined for bloodstains. Irene Mulligan was speechless with grief, secluding herself and refusing to be interviewed by the press.
 
A person of interest had been questioned, held, and released, but Swift’s name wasn’t mentioned until his re-arrest. In his remarks to the press, Staff Sergeant Roscoe Knepp of the Squamish rcmp had used the typically prolix phraseology of his trade: “I can only affirm at this point in time that the arrested individual had been in the employ of Dr. Mulligan for approximately two years and five months. A formal charge of murder in the first degree has been preferred against the aforesaid individual. We are pursuing further investigative leads.”
 
Press photos showed Swift being bundled into a cruiser: a young, slender, bronze-skinned lad in rough clothes, a pair of braids, sparking black eyes. He’d called out to reporters that he was being “framed by a fascist f—ing cabal of racist brownshirts.” That gave me a jolt. Such bluntness would gain him little sympathy in a white man’s court. What in God’s name had I gotten myself into?
 
Swift was obviously a much-politicized young upstart. He was a farmhand, a labourer, a son of the Cheakamus tribe, born on its reserve, educated in a church-run school. No interviews with his friends or family decorated those pages, though encomiums for Dr. Mulligan filled columns.
 
The few neighbours who would speak of Swift – all white and working-class – claimed to know little of him. Thelma McLean, who lived across the road with her tree-faller husband, had often seen him “lazing about on their porch with a book,” a curious observation, implying an association between reading and laziness. “I can’t remember speaking to him, but he seemed troubled, always hiding in a book.” Mrs. McLean and other neighbours were attending to Irene Mulligan, shielding her from the media swarm outside her house.
 
Before slipping the file into my briefcase, I looked through the contacts Pappas had jotted down. Staff Sergeant Knepp’s number was there, and that of the court clerk in Squamish. The final name caused me tremors. M. Cyrus Smythe-Baldwin, Q.C., the lion of the criminal courts, had been named special prosecutor.

Most helpful customer reviews

7 of 7 people found the following review helpful.
I'll see you in my dreams
By Peter C. Ballem
The portrayal of the Vancouver legal world brought memories of the old courthouse and those who toiled in the vineyards of the judicial system to life. Mr. Deverell has crafted a fascinating blend of intrigue, humor, perplexing current social issues which raise his central character to his finest performance. Ever. A great read which is thought provoking without preaching. I congratulate the author enough to put my name to this review and recommend the novel.

10 of 11 people found the following review helpful.
Great book
By CanadianCrimeLover
I loved this book. It's funny and serious in Deverall's wonderful way. He is able to write from the POV of a shy, awkward young lawyer just beginning his career as well as a crusty old curmudgeon at the end of that career. The previous review was mean-sprited and vendictive and I wonder what the reviewer has against Deverell personally. It's okay not to like a book. It's not okay to spoil it for anyone else.

4 of 4 people found the following review helpful.
This book is Deverell's best yet!
By A faithful reader
This is Deverell's best book yet. Steve Sherf did a great job in the audio version. The story had twists and turns and spans over five decades until the mystery is solved. Beacham is a lovable, young attorney who makes bad choices in regards to his social life (women and alcohol aren't his friends). I used this book as my incentive to take my daily walk and it served its purpose, as I looked forward to losing myself in the drama as I trudged through sub zero temperatures in a cold Wisconsin December. My only regret for this book was that Sherf's sister was absent and I missed her voice! I am looking forward to Deverell's next book.

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Senin, 30 Maret 2015

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Rent Boys: The World of Male Sex Trade Workers, by Michel Dorais

From the author of Don't Tell and Dead Boys Can't Dance. Candid interviews and personal stories explore the lives of male street hustlers, strippers, and escorts.

  • Sales Rank: #569153 in Books
  • Brand: Brand: McGill-Queen's University Press
  • Published on: 2005-04-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.14" h x .35" w x 5.14" l, .30 pounds
  • Binding: Paperback
  • 136 pages
Features
  • Used Book in Good Condition

Review
"As in his previous books on sexual abuse and on the suicide risk of male adolescents stigmatized as gay, Dorais combines rigorous research with an understanding portrait of those to whom he gives voice. This solidly documented and insightful work is a must read." Charles Adam, Tel Quels "Dorais' deep understanding of the differences among the men makes it possible to know how to effectively intervene and his portrayal of their world reveals the forces at work to maintain it." Dr Richard Montoro, Co-director, McGill University Sexual Identity Centre

About the Author
Michel Dorais is professor of social work at the Université Laval. He spent many years as a clinical social worker and is the author of Don't Tell: The Sexual Abuse of Boys, Dead Boys Can't Dance: Sexual Orientation, Masculinity, and Suicide, and numerous

Most helpful customer reviews

11 of 11 people found the following review helpful.
Fascinating Look into the Lives of Others
By Clare Quilty
I purchased and read this book for the purpose of research. I found the book easy to follow, well-documented, and, oddly enough, felt (even though documentation, not empathy, is the purpose of the author). Certainly worth your time if only for the glimpses inside a world most of us do not understand, or do not even know exists.

The book is short and can be read in one sitting. Dorais doesn't ramble.

7 of 9 people found the following review helpful.
Rent Boys Review
By Peter J. Scardino
The book is well written and deals aptly with the lives of male escorts but focuses more on male escorts in Canada than anywhere else in the world.

4 of 5 people found the following review helpful.
Three Stars
By Zachary
The study is a little old and outdated by now

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Refugee Sandwich: Stories of Exile and Asylum, by Peter Showler

Although over 30,000 refugee claims are decided in Canada every year, the personal stories behind them are never heard by the public. Showler exposes the dilemmas and choices faced by participants in the refugee determination process in this collection of 13 vignettes that focus on the roles played by the participants.

  • Sales Rank: #2967425 in Books
  • Brand: Brand: Mcgill Queens Univ Pr
  • Published on: 2006-03-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .60" w x 6.00" l, .86 pounds
  • Binding: Paperback
  • 256 pages
Features
  • Used Book in Good Condition

Review
"These stories are an ingenious way of 'showing' the dilemmas of refugee determination. The book is immensely important for political debate in Canada. It is utterly unique." Catherine Dauvergne, law, University of British Columbia "Showler has a keen appreciation of the process and the clash of subjectivities that the Canadian refugee determination process produces. His book is a revealing expose." Donald Galloway, law, University of Victoria

About the Author
Peter Showler is adjunct professor, law, University of Ottawa, consultant, the United Nations High Commission for Refugees, and associate, Human Rights Research and Education Centre, University of Ottawa.

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@ Ebook This Round's On Me: Lorne Rubenstein On Golf, by Lorne Rubenstein

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This Round's On Me: Lorne Rubenstein On Golf, by Lorne Rubenstein

Lorne Rubenstein is the preeminent figure in the world of Canadian golf journalism and a member of the Canadian Golf Hall of Fame. He has been reporting on golf for more than thirty years, and this is a collection of Rubenstein’s best and favourite pieces from 1993 to 2008, selected from thousands of newspaper, magazine, and Internet articles. In this book, readers will revel in the wide range of subjects, including course design; swing techniques (such as the stack and tilt); famous people, such as Moe Norman, Jack Nicklaus, Marlene Streit, Payne Stewart, and Ben Hogan; writers, such as Stephen Leacock; and reflections on the beauty and joy of the game. Two separate chapters are devoted to our most important golf heroes: the Canadian champion Mike Weir and the indomitable Tiger Woods.

Within these pages, golf enthusiasts of every age and skill level will find something new to delight them. This is as much a celebration of the sport as it is a celebration of one of our most esteemed and beloved golf writers.


From the Hardcover edition.

  • Sales Rank: #4631464 in Books
  • Published on: 2010-03-30
  • Released on: 2010-03-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .55" w x 5.99" l, .75 pounds
  • Binding: Paperback
  • 296 pages

Review
“Every page of this wonderful collection of golfing stories will remind you why you love the game, and why, no matter how you play it, you will always find a certain peace in what will surely be another ‘fine spring.’”
— Peter Mansbridge

“Lorne Rubenstein writes about golf the way Byron Nelson played the game. It seems so effortless, so relaxed — but it goes the distance and always, always, holds the element of surprise. This is a real pro at the top of his game. Sit back, tee these small gems up and enjoy.”
— Roy MacGregor

“[Lorne Rubenstein is] one of the great contemporary names in golf journalism.”
— John McPhee, in The New Yorker

Praise for A Disorderly Compendium of Golf:

“Golf is full of quirky bits and pieces along with stories and information. There’s something on every page of this entertaining book to interest and amuse every golfer. Not surprising with Lorne Rubenstein involved — one of the best.”
— Arnold Palmer

Praise for Mike Weir: The Road to the Masters:

“When you finish reading this book, you'll feel as if you've slipped the Green Jacket on yourself.”
— ScoreGolf


From the Hardcover edition.

About the Author
Lorne Rubenstein is an award-winning golf writer, columnist for the Globe and Mail, and author of eight books, most recently, Mike Weir: The Road to the Masters. Rubenstein lives with his wife in Toronto and Jupiter, Florida.


From the Hardcover edition.

Excerpt. © Reprinted by permission. All rights reserved.
Maybe it was the time I shot 67 at Uplands in Toronto, where I played as a teenager and into my twenties, that started my obsession with golf. How did I do that? Or equally, maybe it was when I shot 71—70—77 to lead the Uplands club championship after fifty-four holes, but then shot 78 in the last round. How did that happen? Or maybe watching Moe Norman drill golf balls one after the other without taking any time in between, his feet spread-eagled, his body stiff as a pole stuck in the ground, and hitting them dead straight, showed me that it’s possible to play the game in other than conventional ways. Moe played fast, spoke quickly, and broke course records and won tournaments with a swing so far from the norm as to make me want to question the norms; there was room for individuality and creativity in the game. Perhaps it was watching Jack Nicklaus hit a fat pitch shot from close to the seventeenth green at the Mississauga Golf and Country Club near Toronto, when he was contending in the last round for the 1965 Canadian Open, that helped me realize golf is one confounding game. Nicklaus? Come on. That didn’t happen, did it? Gene Littler won the tournament, and Nicklaus never did win the Canadian Open, although he finished second seven times.

Then again, maybe golf grabbed me because I enjoyed the hours my dad and I shared in our dawn games at the Don Valley Golf Course around the corner from my home. I still live nearby and I still feel the pull of that course and play there from time to time. What was it about golf and courses and the people who play the game that captured me and wouldn’t let go? I started to write about golf professionally in the mid-1970s, and I still ask those questions and try to come up with responses in print. The song “You’ve Really Got a Hold on Me” wasn’t about golf, but in my case, it might as well have been. Golf has had a hold on me and hasn’t released its grip. Hmmm. Speaking of the grip, which works better, interlocking or overlapping?

There’s so much to write about, because there’s always something happening in the game. This means that certain subjects and events demand consideration. This was the case when Mike Weir defeated Tiger Woods in their singles match at the 2007 Presidents Cup, and when Woods’s father, Earl, died. Then there’s the endless quest for improvement, a staple of golf magazines, golf books, and my own writing. I admit to a sometimes unhealthy fascination with the swing and the mental side of the game — unhealthy because I’ve probably thought so much about related subjects that my game has suffered. But so what? It’s what I do. It’s who I am. Golf also happens to be a worldwide sport. It’s a culture, and so the game provides opportunities for us to think about other matters. The game is played on a huge landscape, and sometimes it seems almost too manicured; is that a good thing, or does rough, rugged golf engage us more? An eighteen-hole round takes about four hours, when things are moving along reasonably well, and so we have time to slow down. That’s useful in a fast-paced Blackberry world, isn’t it? I walk a course and I consider whether I’m running myself ragged in other parts of my life. Friends and I discuss politics, film, music — whatever comes up. Sure, we could do this over dinner, but it’s somehow more satisfying to talk things over and think things through in the fresh air on the course as we follow our shots around the landscape.


From the Hardcover edition.

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Rabu, 25 Maret 2015

** Get Free Ebook Mother Angelica Her Grand Silence: The Last Years and Living Legacy, by Raymond Arroyo

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Mother Angelica Her Grand Silence: The Last Years and Living Legacy, by Raymond Arroyo

“Even now, I still meet with Mother in memory and in spirit. And though I miss her physical presence, the writing of this work has allowed me to once again spend long hours with her and share her essence with others. This final book in the canon captures the last bittersweet years of a faithful woman who, in her grand silence and through her pain, touched more lives and did more good than anyone imagined. It also gives us an opportunity to have one last visit with the sister we called ‘Mother.’” – Raymond Arroyo
 
For more than a decade, the beloved, wise cracking nun who founded EWTN, the world’s largest religious media empire, was confined to her cell at Our Lady of the Angels Monastery in Hanceville, Alabama.  Though Mother Angelica is still seen and heard by millions each week in reruns on seven continents, the private drama within her monastery, her personal supernatural encounters, and the prolonged suffering she endured has remained hidden. Until now.
 
In a moving, dramatic conclusion to his four New York Times bestselling Mother Angelica books, Raymond Arroyo completes the saga of this singular nun with his most intimate book yet. Here are Mother Angelica’s spiritual battles in her cell—including encounters with the devil. Revealed for the first time is the personal request Mother made of God—which sheds light on her long silence.  Here are the unrevealed episodes of hilarity and inspiration; from playing possum (to avoid undesirable visitors to her room), to undertaking a secret trip to the far East, to blessing her nuns as they leave her care to create new monasteries, Mother Angelica’s spunky spirit shines through the narrative.
 
Mother Angelica Her Grand Silence, the touching, climactic coda to the Mother Angelica canon also offers readers the personal testimonies of people around the world who were spiritually transformed by Mother during her long public absence. And for the first time, the author writes movingly of his personal relationship with Mother—the highs and the lows.
 
Eleven years after the release of the definitive biography of Mother Angelica, audiences want to know the rest of her story. This is it.

  • Sales Rank: #18134 in Books
  • Published on: 2016-05-17
  • Released on: 2016-05-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .90" w x 5.70" l, .0 pounds
  • Binding: Hardcover
  • 240 pages

About the Author
RAYMOND ARROYO is a New York Times bestselling author, producer, and lead anchor and managing editor of EWTN News. As the host of The World Over Live, he is seen in more than 250 million homes internationally each week. You can follow Arroyo on Facebook and on Twitter at @RaymondArroyo.

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40 of 41 people found the following review helpful.
Not your starry eyed biography of a saint-to-be
By M. James
Even today people still seem to want to put holy people on pedestals and pretend they were perfect even though such biographies are stilted and now dusty so I'm very glad that Raymond Arroyo didn't do that with Mother Angelica in this book. He not only writes about Mother Angelica but also the implosion of her community while she lay suffering yet fully aware of the chaos and conflict amongst her beloved Sisters. One of the Sisters quoted in the book hit the nail on the head - perhaps lack of formation in the later years added to the stampede to get away from such a (for them) toxic environment. So sad all this happened as Mother Angelica lay helpless and unable to intervene except through prayer, to see her life's work crumble must have been a true crucifixion for her. The sisters, her community, were her life's work even more so than EWTN. I'm sending this book off to a Poor Clare Abbess I know as an object lesson; I don't think she needs it as she's a very strong superior but still it is an important reminder as to what can happen where there is a lack of formation in the early years. I applaud Mr. Arroyo for his honesty.

3 of 3 people found the following review helpful.
A touching and inspirational book
By J9
An excellent book by Raymond Arroyo to complete the biography of Mother's life. While some reviewers were disturbed by revelations of difficulties in the sisters community, I personally found it a profound reminder of our humanity and that we are all struggling sinners with the potential to become saints as Mother always said. Most saints lives were filled with imperfections and struggles so its no shock to me that the sisters had struggles too. The book certainly brought to light Mother's great courage and perseverance amidst her own sufferings and that of her community. I enjoyed the stories of those whose lives Mother touched deeply tho I thought that section was a bit long. In the end, it is an excellent book about Mother's deep faith and the great amount of good she brought to the world and the many lives she touched including mine. Raymond fulfilled Mother's command to print the unvarnished truth about her life, and I personally found the book a great encouragement about living in the present moment and a reminder that the spiritual journey is filled with ups and downs even in religious communities.

3 of 3 people found the following review helpful.
I thoroughly enjoyed the book
By ek
The candor with which Raymond Arroyo tells the story of Mother's silent years is so heartfelt and inspiring. I thoroughly enjoyed the book, and gained new wisdom from dear Mother through what she was able to communicate during those years as well as the stories of times before. Great insight into how her community is composed of real people with real issues, not "saints" as we may perceive them, and how they worked through their issues just like we all have to do in real life. Thank you, Mr. Arroyo, for allowing us a glimpse into your close relationship with Mother Angelica and enabling us to love her even more through you. Like the lovely letters that were shared in the book, she changed my life for the better through her ministry, and continues to do so.

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Selasa, 24 Maret 2015

# Download PDF An Historical-Legal Analysis of the Impeachments of Presidents Andrew Johnson, Richard Nixon, and William Clinton: Why the Process Went Wro

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An Historical-Legal Analysis of the Impeachments of Presidents Andrew Johnson, Richard Nixon, and William Clinton: Why the Process Went Wro

A legal analysis of three Presidential impeachments which shows that congressional censure may be a better option.

  • Sales Rank: #6326728 in Books
  • Brand: Brand: Edwin Mellen Pr
  • Published on: 2011-12-31
  • Original language: English
  • Dimensions: 9.00" h x 6.25" w x 1.50" l, 2.24 pounds
  • Binding: Hardcover
  • 617 pages
Features
  • Used Book in Good Condition

Review
"This groundbreaking book argues that impeachments have done little good and provides a comprehensive discussion of the difficult issues which deserve wide and careful attention." (Prof. Herman Schwartz American University) "an acute critique of the impeachment process, and a persuasive argument that stipulates that the censure of erring presidents can be more just and less damaging to the country." (Prof. Robert F. Rogers University of Guam)"

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Sabtu, 21 Maret 2015

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New Challenges Facing Academic Librarians Today: Electronic Journals, Archival Digitizatin, Document Delivery, etc.From Edwin Mellen Pr

The editors of this work have put together a print collection of the best essays written by scholars on the front line of the scholarly communication revolution, with scholarly communication as one of its major subject areas. This work pulls together many disparate areas, providing both a theoretical and practical basis for understanding the changing face of scholarly communication in library and information science, and higher education.

  • Sales Rank: #14279816 in Books
  • Published on: 2006-02-15
  • Original language: English
  • Dimensions: 9.25" h x 6.50" w x 1.00" l,
  • Binding: Hardcover
  • 288 pages

Review
"This collection of essays addresses the evolving face of scholarship in the academy... Employed in very different institutions, the contributors represent a cross-section of higher education and are intent in their search for more effective academic experiences for students..." - Marilyn S. Lary, Director of Library Services, North Georgia College and State University"

About the Author
Professor Caswell, Professor Haschak, and Professor Sherman are all members of the Library Science and Information faculty at Southeastern Louisiana University.

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Kamis, 19 Maret 2015

? Download Representing German Identity in the New Berlin Republic: Body, Nation, and Place (Studies in German Thought and History), by Olaf Kuhlke

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Representing German Identity in the New Berlin Republic: Body, Nation, and Place (Studies in German Thought and History), by Olaf Kuhlke

This study examines the multiple and conflicting ways in which German national identity is spatially expressed through the material and metaphor of the human body. In particular, it describes the various gendered, sexed, and raced constructions of Germany, as they emerged in the capital city of Berlin since 1989. Based on two ethnographic case studies situated in neighboring urban environments, the Love Parade and the Memorial for the Murdered Jews of Europe, the author shows how bodily representations of post-1989 Germany are fluctuating between the sexualized, demasculinized celebration of multiculturalism and the repeatedly racist, masculinist and even anti-Semitic reconstruction of German nationhood. While the German government is making active efforts to situate the future Berlin Republic within a network of increasingly integrated European nation states, and is involved in sponsoring both the Love Parade and the MMJE, social movements in Berlin are actively supporting and contesting such politics. It is this struggle between government efforts and grassroots politics, and the role of the human body in the political process of constructing collective identities that this book ultimately explores.

  • Sales Rank: #13671604 in Books
  • Published on: 2004-12
  • Original language: English
  • Dimensions: 9.00" h x 6.25" w x 1.00" l,
  • Binding: Hardcover
  • 293 pages

Review
"Dr. Kuhlke's main thesis is that the human body is at the center of material and discursive practices aimed at representing and enacting German national identity. Specifically, the body may be conceived as a representational icon embedded in the material environment; a metaphor representing nation-building places in text; as a performing agent operating within particular systems of cultural and political signification; and as an agent of spontaneous, strategic, and emotional expression of the human need to communication and form communal relationships. His thesis is supported by two distinct, yet reinforcing case studies: the Love Parade festival and the Memorial for the Murdered Jews of Europe. Combined, Dr. Kuhlke suggests that these case studies capture a series of debates that have gripped Germany since reunification, namely how certain places and events that signify German national identity should be interpreted and represented... Dr. Kuhlke's ambitious study interweaves nationalism, landscapes, and the body in innovative ways, both theoretcally and substantively. Through an engagement with youth cultures, performativities, and sonic landscapes of music, he provides a crucial, and critical, understanding of the embodiment and representation of national identity on and in the urban landscapes of Berlin. His work is thus not an endless recycling of staid concepts applied to happen-stance settings, but rather the charting of new territories. This present study, adroitly written and elegantly argued, promises to contribute to our understandings of the contested meanings of who we believe we were, we are, and yet to be." - (from the Commendatory Preface) James A. Tyner, Kent State University "Rarely do singular texts revolutionize fields of study... Presently, Olaf Kuhlke's monumental study of German national identity will achieve such a stature. Conceptually, Dr. Kuhlke examines the reconstruction of German national identities, following the fall of the Berlin Wall, through representations of collective history and memory as they are inscribed on material landscapes as well as through public performances. He argues that nations construct their collective identity on the basis of selective interpretations of their past; they create mythical origins and select historical events as the cornerstones of celebration. His central premise is that contemporary German national identity is negotiated on the basis of a multitude of conflicting perspectives about German history, cultural heritage, the political economies of reunification, and the socio-cultural politics of European integration and transnational capitalism. Dr. Kuhlke forwards the argument, however, that the body and embodied representations are crucial to these reconstruction efforts. In so doing, he contributes to the corporeal turn in cultural and political studies. Theorists in a range of disciplines have increasingly viewed the body as an important site of political struggle. This importance is evidenced, for example, by the governmental and societal regulations regarding individual and collective behavior, reproductive rights, and violence. A corporeal turn is also manifest in body modifications: as people become embodied texts, they call into question such notions as the body's universality and naturalness." - (from the Commendatory Preface) James A. Tyner, Kent State University"

About the Author
Dr. Olaf Kuhlke completed his Diplom in Geography at the Philipps-Universitat Marburg (Germany) and then his Ph.D. at Kent State University in 2001. He is an Assistant Professor in the Geography Department at the University of Minnesota - Duluth, where his teaching and research efforts primarily focus on the socio-spatial construction of nationalism. Also, he currently functions as the co-chair of the Sexuality and Space Specially Group of the Association of American Geographers and serves on the Editorial Board of ACME, and international e-journal of critical geography.

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Academic Novels As Satire: Critical Studies of an Emerging Genre, by Mark Bosco and Kimberly Rae Connor

This book explores the ways in which academia serves as a repository for contemporary cultural issues, problems, and performances by way of interpretations of academic fiction that observe this phenomenon. Composed by practicing academics who also appreciate satire aimed at their profession, the authors offer this collection as a correction to increasingly cynical portrayals of academic life. Instead the authors provide interpretations that identify satire as a timely and effective genre for critically commenting on the state of academia because it reveals ethical dimensions that engage an ironic voice to negotiate issues of culture and identity. Included among the essays are the results of responses gathered from practicing authors in the genre of academic satire who provide commentary and insights exclusive to this collection.

  • Sales Rank: #12256857 in Books
  • Published on: 2007-04-23
  • Released on: 2007-04-23
  • Original language: English
  • Dimensions: 9.00" h x 6.50" w x .50" l,
  • Binding: Hardcover
  • 164 pages

Review
"What is a little surprising, given the vitality of the genre [of satire] and the academic involvement of its authors, is the thinness of criticism of the genre from the academy. One reason for the paucity of criticism is the relative newness of the genre, and another may be the fact the authors consider themselves primarily writers rather than literary critics. This excellent collection of essays on academic fiction comes, then, at a propitious time not only for its elucidation of the genre and some of most interesting academic novels of recent years but also for its initiating a discussion that opens the field up for further development and study." - Dr. Albert Gelpi Professor of English Emeritus Stanford University "I find this to be a useful and interesting book... It has genuine strengths in addressing, for both audiences of English departments and for larger academic (and non-academic) audiences, some critical issues regarding the representation of the university in contemporary American culture... A series of articles on the nature of contemporary academic fictions, especially satires, can enlighten not merely the study of contemporary social satire but also the broader issues of cultural debate that are exploited in academic fictions." - Dr. Vincent Casaregola Associate Professor of English Saint Louis University"

About the Author
Rev. Mark Bosco, S.J., holds joint appointments in the Departments of English and Theology at Loyola University Chicago. He received his Ph.D. in Interdisciplinary Studies in Theology and Literature from the Graduate Theological Union, Berkeley. Dr. Bosco s teaching and research interests lie in the intersection between theological discourse and literary texts, especially those of the British and American Catholic Literary Revival of the twentieth century. He is the author of two books, including most recently Graham Greene s Catholic Imagination (Oxford University Press, 2005).

Dr. Kimberly Rae Connor is Associate Professor in the College of Professional Studies at the University of San Francisco. She received her Ph.D. in Religious Studies from the University of Virginia. Dr. Connor s academic interests focus on African American religious life and cultural production. She is the author of three books, including most recently Imagining Grace: Liberating Theologies in the Slave Narrative Tradition (University of Illinois Press, 2000).

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