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This study examines the multiple and conflicting ways in which German national identity is spatially expressed through the material and metaphor of the human body. In particular, it describes the various gendered, sexed, and raced constructions of Germany, as they emerged in the capital city of Berlin since 1989. Based on two ethnographic case studies situated in neighboring urban environments, the Love Parade and the Memorial for the Murdered Jews of Europe, the author shows how bodily representations of post-1989 Germany are fluctuating between the sexualized, demasculinized celebration of multiculturalism and the repeatedly racist, masculinist and even anti-Semitic reconstruction of German nationhood. While the German government is making active efforts to situate the future Berlin Republic within a network of increasingly integrated European nation states, and is involved in sponsoring both the Love Parade and the MMJE, social movements in Berlin are actively supporting and contesting such politics. It is this struggle between government efforts and grassroots politics, and the role of the human body in the political process of constructing collective identities that this book ultimately explores.
- Sales Rank: #13671604 in Books
- Published on: 2004-12
- Original language: English
- Dimensions: 9.00" h x 6.25" w x 1.00" l,
- Binding: Hardcover
- 293 pages
Review
"Dr. Kuhlke's main thesis is that the human body is at the center of material and discursive practices aimed at representing and enacting German national identity. Specifically, the body may be conceived as a representational icon embedded in the material environment; a metaphor representing nation-building places in text; as a performing agent operating within particular systems of cultural and political signification; and as an agent of spontaneous, strategic, and emotional expression of the human need to communication and form communal relationships. His thesis is supported by two distinct, yet reinforcing case studies: the Love Parade festival and the Memorial for the Murdered Jews of Europe. Combined, Dr. Kuhlke suggests that these case studies capture a series of debates that have gripped Germany since reunification, namely how certain places and events that signify German national identity should be interpreted and represented... Dr. Kuhlke's ambitious study interweaves nationalism, landscapes, and the body in innovative ways, both theoretcally and substantively. Through an engagement with youth cultures, performativities, and sonic landscapes of music, he provides a crucial, and critical, understanding of the embodiment and representation of national identity on and in the urban landscapes of Berlin. His work is thus not an endless recycling of staid concepts applied to happen-stance settings, but rather the charting of new territories. This present study, adroitly written and elegantly argued, promises to contribute to our understandings of the contested meanings of who we believe we were, we are, and yet to be." - (from the Commendatory Preface) James A. Tyner, Kent State University "Rarely do singular texts revolutionize fields of study... Presently, Olaf Kuhlke's monumental study of German national identity will achieve such a stature. Conceptually, Dr. Kuhlke examines the reconstruction of German national identities, following the fall of the Berlin Wall, through representations of collective history and memory as they are inscribed on material landscapes as well as through public performances. He argues that nations construct their collective identity on the basis of selective interpretations of their past; they create mythical origins and select historical events as the cornerstones of celebration. His central premise is that contemporary German national identity is negotiated on the basis of a multitude of conflicting perspectives about German history, cultural heritage, the political economies of reunification, and the socio-cultural politics of European integration and transnational capitalism. Dr. Kuhlke forwards the argument, however, that the body and embodied representations are crucial to these reconstruction efforts. In so doing, he contributes to the corporeal turn in cultural and political studies. Theorists in a range of disciplines have increasingly viewed the body as an important site of political struggle. This importance is evidenced, for example, by the governmental and societal regulations regarding individual and collective behavior, reproductive rights, and violence. A corporeal turn is also manifest in body modifications: as people become embodied texts, they call into question such notions as the body's universality and naturalness." - (from the Commendatory Preface) James A. Tyner, Kent State University"
About the Author
Dr. Olaf Kuhlke completed his Diplom in Geography at the Philipps-Universitat Marburg (Germany) and then his Ph.D. at Kent State University in 2001. He is an Assistant Professor in the Geography Department at the University of Minnesota - Duluth, where his teaching and research efforts primarily focus on the socio-spatial construction of nationalism. Also, he currently functions as the co-chair of the Sexuality and Space Specially Group of the Association of American Geographers and serves on the Editorial Board of ACME, and international e-journal of critical geography.
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