Sabtu, 21 Februari 2015

> Free Ebook Encounters with Wild Children: Temptation and Disappointment in the Study of Human Nature, by Adriana S. Benzaquén

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Encounters with Wild Children: Temptation and Disappointment in the Study of Human Nature, by Adriana S. Benzaquén

Examines the history of the scientific fascination with stories of wild children. This book argues that wild children have had a privileged role as objects of knowledge in Western human science, and shows how they have been made inseparable from any attempt to define the human, and to delineate the boundaries between human and non-human.

  • Sales Rank: #3377321 in Books
  • Brand: Brand: Mcgill Queens Univ Pr
  • Published on: 2006-04-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.30" w x 6.13" l, 1.66 pounds
  • Binding: Hardcover
  • 400 pages
Features
  • Used Book in Good Condition

Review
"A captivating and disturbing book filled with fascinating narratives, provocative interpretations, and an almost encyclopedic scope - from scattered medieval references to extensive eighteenth-century debates to tragic episodes of the late twentieth century." Martin Staum, history, University of Calgary "From the Romulus and Remus imagery and writings of Procopius to the early modern era, the idea of children suckled and protected by wild animals like wolves or bears is doubly compelling with its reversal of the fear of predators and a display of animal kindness. Benzaquen takes her readers on a wide-ranging discussion of whether the children were idiots, frauds, or natural prodigies." David Higgs, history, University of Toronto

About the Author
Adriana S. Benzaquén is assistant professor, history, Mount Saint Vincent University.

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2 of 2 people found the following review helpful.
vanished societies
By W Boudville
How real were the wild children of history? The book looks at centuries of European folklore, that claim to have had instances of wild children abandoned in the wilderness, and perhaps raised by animals. The archetypal example is of course Romulus and Remus and the founding of Rome. Little credence is given to that tale.

But the book's bulk is closer in time. From medieval times onwards. The so-called Peter of Hanover and the wild girl of Songi are two such examples. Several others are also presented. Forget the stuff about the wild animals raising the kids. Most or perhaps all of these children can be seen as tragic cases of abandoned children or runaways. Who somehow retained enough wits to survive in a hand to mouth existence. What the examples do is let the author analyse not so much the children themselves, but the societies that rescued them. And the subsequent efforts to educate and assimilate the kids. All this in days when there were no social sciences.

So the surviving tracts about the wild children are lens into societies that are now vanished. In some ways, the societies are as strange and lost to us as the children they tried to raise.

0 of 0 people found the following review helpful.
I like ebook
By D W
Same as ebook

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Rabu, 18 Februari 2015

~~ Download PDF From Migrant to Acadian: A North American Border People, 1604-1755, by N.E.S. Griffiths

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From Migrant to Acadian: A North American Border People, 1604-1755, by N.E.S. Griffiths

A history of the emergence of the Acadian community.

  • Sales Rank: #398914 in Books
  • Brand: Brand: Carleton Univ Pr
  • Published on: 2004-12-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 2.00" w x 6.00" l, 2.27 pounds
  • Binding: Hardcover
  • 640 pages
Features
  • Used Book in Good Condition

About the Author
N.E.S Griffiths is a distinguished scholar of Acadian history and professor emeritus of the Department of History, Carleton University.

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1 of 1 people found the following review helpful.
He is very impressed with the detail and yet he is not bored. For a man with ADD (Attention Deficit Disorder) ...
By jp
Bought this for my husband who is Cajun. He is very impressed with the detail and yet he is not bored. For a man with ADD (Attention Deficit Disorder) that is telling. It is thoughtfully laid out.

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Senin, 16 Februari 2015

~~ Ebook Download A New Index for Predicting Catastrophes, by Madhur Anand

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A New Index for Predicting Catastrophes, by Madhur Anand

A striking poetic debut that brilliantly illuminates and celebrates the intersection of poetry and science, and the ways they can mediate our discovery of the world and our place in it.
     Originating from her living room, backyard garden, university office, or the field sites in boreal or tropical forests, the poems in Madhur Anand’s captivating debut collection compose a lyric science; they bring order and chaos together into a unified theory of predicting catastrophes, large and small. Anand’s ecologist poetics are sophisticated and original; her voice is an “index,” a way of cataloguing and measuring the world and human experience, and of illuminating the interconnectedness at the heart of all things. Narrating the beauty of her perceived world, the poems unabashedly embrace the scintillant language of scientific evidence as they interrogate crises of personal and global concern. The result is a poetry that is as complex as it is compassionate. Anand’s modernist intervention into “nature” poetry is a sparkling addition to poetics in Canada and beyond.

  • Sales Rank: #3434265 in Books
  • Brand: Anand, Madhur
  • Published on: 2015-04-14
  • Released on: 2015-04-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.18" h x .34" w x 5.48" l, .81 pounds
  • Binding: Paperback
  • 112 pages

Review
“In Madhur Anand’s poems the ancient false dichotomy between art and science collapses, and does so with such grace, wit, and élan you’d think this had been its purpose all along. These poems are alive with the potency of their own hybrid attentions – rapt, nimble, and capable of unlocking the energies asleep in eco-scientific jargon as well as popular culture and the poet’s Indian heritage. Here is a writing full of linguistic and conceptual verve, essential reading for all of us interested in poetry and the ecological arts.” 
--Don McKay, Griffin Poetry Prize–winning author of Strike/Slip

About the Author
MADHUR ANAND’s poetry has appeared in literary magazines across North America and in the anthology The Shape of Content: Creative Writing in Mathematics and Science. Her debut collection of poems A New Index for Predicting Catastrophes was published by McClelland & Stewart in April 2015 to international acclaim. "Anand's attention to and ability to evoke explicit, exponential beauty in scientific and natural form are simply stunning" (Publishers Weekly). Anand completed her Ph.D. in theoretical ecology at Western University, and is currently a professor in the School of Environmental Sciences at the University of Guelph and interim Director of the Waterloo Institute for Complexity and Innovation.

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0 of 0 people found the following review helpful.
This is a wonderful book of poems motivated by science (including at times ...
By Marc Mangel
This is a wonderful book of poems motivated by science (including at times reference to her own work) It reminds us that CP Snow was wrong about the two cultures. There indeed two cultures: those of good writing/thinking and those of poor writing/thinking.

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Sabtu, 14 Februari 2015

~~ Download Ebook Angel in the Sun: Turner's Vision of History, by Gerald Finley

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Turner was deeply affected by the world in which he lived, the sciences that explained it, and the conflicts and accomplishments of his society. He wove these strands into the dense fabric of the historical pictures he created, pictures that were extremely varied, complex, original, and controversial. In Angel in the Sun Gerald Finley untangles the various thematic strands running through Turner's art, including the intersection of private and public histories, classical and biblical history and contemporary events, and science and religion, and shows how Turner's use of light and colour played an important role in conveying these ideas. Angel in the Sun includes over 130 illustrations in colour and black and white that reveal Turner's remarkable achievement as a painter of historical subjects. Because of its interdisciplinary nature, the book will appeal not only to art historians and landscape theorists but also to historians of science and literature.

  • Sales Rank: #2662267 in Books
  • Brand: Brand: Mcgill Queens Univ Pr
  • Published on: 1999-03-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.30" h x 1.10" w x 9.60" l, 3.25 pounds
  • Binding: Hardcover
  • 247 pages
Features
  • Used Book in Good Condition

Review
"A worthy addition to Turner studies. Finley is an established scholar in the field and his book is highly original, even provocative in places. Angel in the Sun offers new interpretations of both Turner's historical landscapes and his knowledge of coloristic and optical theories." Susan P. Casteras, University of Washington, Seattle

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A Bird in the House (New Canadian Library, No. 96), by Margaret Laurence

One of Canada’s most accomplished authors combines the best qualities of both the short story and the novel to create a lyrical evocation of the beauty, pain, and wonder of growing up.

In eight interconnected, finely wrought stories, Margaret Laurence recreates the world of Vanessa MacLeod – a world of scrub-oak, willow, and chokecherry bushes; of family love and conflict; and of a girl’s growing awareness of and passage into womanhood. The stories blend into one masterly and moving whole: poignant, compassionate, and profound in emotional impact.

In this fourth book of the five-volume Manawaka series, Vanessa MacLeod takes her rightful place alongside the other unforgettable heroines of Manawaka: Hagar Shipley in The Stone Angel, Rachel Cameron in A Jest of God, Stacey MacAindra in The Fire-Dwellers, and Morag Gunn in The Diviners.

  • Sales Rank: #1078184 in Books
  • Brand: Brand: New Canadian Library
  • Published on: 1974-01-01
  • Released on: 1974-01-01
  • Original language: English
  • Number of items: 1
  • Binding: Mass Market Paperback
  • 207 pages
Features
  • Used Book in Good Condition

From the Inside Flap
One of Canada?s most accomplished authors combines the best qualities of both the short story and the novel to create a lyrical evocation of the beauty, pain, and wonder of growing up.

In eight interconnected, finely wrought stories, Margaret Laurence recreates the world of Vanessa MacLeod ? a world of scrub-oak, willow, and chokecherry bushes; of family love and conflict; and of a girl?s growing awareness of and passage into womanhood. The stories blend into one masterly and moving whole: poignant, compassionate, and profound in emotional impact.

In this fourth book of the five-volume Manawaka series, Vanessa MacLeod takes her rightful place alongside the other unforgettable heroines of Manawaka: Hagar Shipley in The Stone Angel, Rachel Cameron in A Jest of God, Stacey MacAindra in The Fire-Dwellers, and Morag Gunn in The Diviners.

About the Author
Margaret Laurence was born in Neepawa, Manitoba, in 1926. Upon graduation from Winnipeg’s United College in 1947, she took a job as a reporter for the Winnipeg Citizen.

From 1950 until 1957 Laurence lived in Africa, the first two years in Somalia, the next five in Ghana, where her husband, a civil engineer, was working. She translated Somali poetry and prose during this time, and began her career as a fiction writer with stories set in Africa.

When Laurence returned to Canada in 1957, she settled in Vancouver, where she devoted herself to fiction with a Ghanaian setting: in her first novel, This Side Jordan, and in her first collection of short fiction, The Tomorrow-Tamer. Her two years in Somalia were the subject of her memoir, The Prophet’s Camel Bell.

Separating from her husband in 1962, Laurence moved to England, which became her home for a decade, the time she devoted to the creation of five books about the fictional town of Manawaka, patterned after her birthplace, and its people: The Stone Angel, A Jest of God, The Fire-Dwellers, A Bird in the House, and The Diviners.

Laurence settled in Lakefield, Ontario, in 1974. She complemented her fiction with essays, book reviews, and four children’s books. Her many honours include two Governor General’s Awards for Fiction and more than a dozen honorary degrees.

Margaret Laurence died in Lakefield, Ontario, in 1987.

Excerpt. © Reprinted by permission. All rights reserved.
The Sound of the Singing
 
 
That house in Manawaka is the one which, more than any other, I carry with me. Known to the rest of the town as “the old Connor place” and to the family as the Brick House, it was plain as the winter turnips in its root cellar, sparsely windowed as some crusader’s embattled fortress in a heathen wilderness, its rooms in a perpetual gloom except in the brief height of summer. Many other brick structures had existed in Manawaka for as much as half a century, but at the time when my grandfather built his house, part dwelling place and part massive-monument, it had been the first of its kind.
 
Set back at a decent distance from the street, it was screened by a line of spruce trees whose green-black branches swept down to the earth like the sternly protective wings of giant hawks. Spruce was not indigenous to that part of the prairies. Timothy Connor had brought the seedlings all the way from Galloping Mountain, a hundred miles north, not on whim, one may be sure, but feeling that they were the trees for him. By the mid-thirties, the spruces were taller than the house, and two generations of children had clutched at boughs which were as rough and hornily knuckled as the hands of old farmers, and had swung themselves up to secret sanctuaries. On thelawn a few wild blue violets dared to grow, despite frequent beheadings from the clanking guillotine lawn mower, and mauve-flowered Creeping Charley insinuated deceptively weak-looking tendrils up to the very edges of the flower beds where helmeted snapdragon stood in precision.
 
We always went for Sunday dinner to the Brick House, the home of my mother’s parents. This particular day my father had been called out to South Wachakwa, where someone had pneumonia, so only my mother and myself were flying down the sidewalk, hurrying to get there. My mother walked with short urgent steps, and I had to run to keep up, which I did not like having to do, for I was ten that spring and needed my dignity.
 
“Dad said you shouldn’t walk so fast because of the baby. I heard him.”
 
My father was a doctor, and like many doctors, his advice to his own family was of an exceedingly casual nature. My mother’s prenatal care, apart from “For Pete’s sake, honey, quit running around like a chicken with its head cut off,” consisted mainly of admonitions to breathe deeply and drink plenty of water.
 
“Mercy,” my mother replied, “I don’t have to slow up that much, I should hope. Get a move on, Vanessa. It’s nearly five, and we should’ve been there by now. I suppose Edna will have the dinner all ready, and there won’t be a thing for me to do. I wish to heaven she wouldn’t, but try to tell her. Anyway, you know how your grandfather hates people to be late.”
 
When we got to the Brick House, my mother stopped hurrying, knowing that Grandfather would be watching from the bay window. She tidied my hair, which was fine and straight and tended to get in my eyes, and she smoothed down the collar of the white middy which I hated and resented having to wear today with my navy pleated skirt as though it had still been winter.
 
“Your summer dresses are all up to your neck,” my mother had said, “and we just can’t manage a new one this year, but I’m certainly not going to have you going down there looking like a hooligan.”
 
Now that the pace of our walking had slowed, I began to hop along the sidewalk trying to touch the crooked lines where the cement had been frost-heaved, some winter or other, and never repaired. The ants made their homes there, and on each fissure a neat mound of earth appeared. I carefully tamped one down with my foot, until the ant castle was flattened to nothing. Then I hopped on, chanting.
 
“Step on a crack, break your grandfather’s back.”
 
“That’s not very nice, Vanessa,” my mother said. “Anyway, I always thought it was your mother’s back.”
 
“Well?” I said accusingly, hurt that she could imagine the substitution to have been accidental, for I had genuinely thought it would please her.
 
“Try not to tear up and down stairs like you did last week,” my mother said anxiously. “You’re too old for that kind of shenanigans.”
 
Grandfather was standing on the front porch to greet us. He was a tall husky man, drum-chested, and once he had possessed great muscular strength. That simple power was gone now, but age had not stooped him.
 
“Well, Beth, you’re here,” Grandfather said. “Past five, ain’t it?”
 
“It’s only ten to,” my mother said defensively. “I hoped Ewen might be back – that’s why I waited. He had to go to South Wachakwa on a call.”
 
“You’d think a man could stay home on a Sunday,” Grandfather said.
 
“Good grief, Father,” my mother said, “people get sick on Sundays the same as any other day.”
 
But she said it under her breath, so he did not hear her.
 
“Well, come in, come in,” he said. “No use standing around here all day. Go and say hello to your grandmother, Vanessa.”
 
Ample and waistless in her brown silk dress, Grand mother was sitting in the dining room watching the canary. The bird had no name. She did not believe in bestowing names upon non-humans, for a name to her meant a christening, possible only for Christians. She called the canary “Birdie,” and maintained that this was not like a real name. It was swaying lightly on the bird-swing in its cage, its attentive eyes fixed upon her. She often sat here, quietly and apparently at ease, not feeling it necessary to be talking or doing, beside the window sill with its row of African violets in old ginger jars that had been painted orange. She would try to coax the canary into its crystal trilling, but it was a surly creature and obliged only occasionally. She liked me to sit here with her, and sometimes I did, but I soon grew impatient and began squirming, until Grandmother would smile and say, “All right, pet, you run along, now,” and then I would be off like buckshot. When I asked my grandmother if the bird minded being there, she shook her head and said no, it had been there always and wouldn’t know what to do with itself outside, and I thought this must surely be so, for it was a family saying that she couldn’t tell a lie if her life depended on it.
 
“Hello, pet,” Grandmother said. “Did you go to Sunday school?”
 
“Yes.”
 
“What did you learn?” Grandmother asked, not prying or demanding, but confidently, serenely.
 
I was prepared, for the question was the same each week. I rarely listened in Sunday school, finding it more entertaining to compose in my head stories of spectacular heroism in which I figured as central character, so I never knew what the text had been. But I had read large portions of the Bible by myself, for I was constantly hard-up for reading material, so I had no trouble in providing myself with a verse each week before setting out for the Brick House. My lines were generally of a warlike nature, for I did not favour the meek stories and I had no use at all for the begats.
 
“How are the mighty fallen in the midst of the battle,” I replied instantly.
 
“Second Samuel,” Grandmother said, nodding her head. “That’s very nice, dear.”
 
I was not astonished that my grandmother thought the bloody death of Jonathan was very nice, for this was her unvarying response, whatever the verse. And in fact it was not strange, for to her everything in the Bible was as gentle as she herself. The swords were spiritual only, strokes of lightness and dark, and the wounds poured cochineal.
 
Grandfather tramped into the dining room. His hair was yellowish white, but once it had been as black as my own, and his brown beaked leathery face was still handsome.
 
“You’d best come into the living room, Agnes,” he said. “No use waiting here. Beth says Ewen’s gone away out to South Wachakwa. It’ll be a wonder if we get our dinner at all tonight.”
 
Grandmother rose. “Yes, I was just coming in.”
 
Grandfather walked over to the window and peered at the plants on the sill.
 
“Them jars could do with a coat of paint,” he said. “I’ve got some enamel left in the basement. It’s that bottle-green I used on the tool-shed.”
 
“Is there no orange left?” Grandmother enquired.
 
“No. It’s all used up. What’s the matter with bottle-green?”
 
“Oh, nothing’s the matter with it, I guess. I just wondered, that’s all.”
 
“I’ll do them first thing tomorrow, then,” Grandfather said decisively.
 
No tasks could be undertaken today, but there was no rule against making plans for Monday, so my grandfather invariably spent the Sabbath in this manner. Thwarted, but making the best of a bad lot, he lumbered around the house like some great  wakeful bear waiting for the enforced hibernation of Sunday to be over. He stopped at the hall door now and rattled it, running hard expert fingers along the brass hinges.
 
“Hinge is loose,” he said. “The pin’s worn. I’ll have to go down to the store and see if they’ve got one. That Barnes probably won’t have the right size – he’s got no notion of stock. Maybe I’ve got an extra one in the basement. Yes, I have an idea there’s one there. I’ll just step down and have a look.”
 
I heard him clumping down the basement steps, and soon from the area of his work-bench there arose the soft metallic jangle of nails and bolts, collected oddments being sifted through. I glanced at my grandmother, but if she was relieved that he was rummaging down there, she gave no sign.
 
I did not know then the real torment that the day of rest was for him, so I had no patience with his impatience. WhatI did know, however, was that if he had been any other way he would not have passed muster in Manawaka. He was widely acknowledged as an upright man. It would have been a disgrace if he had been known by the opposite word, which was  “downright.” A few of my friends had downright grandfathers. They were a deep mortification to their families, these untidy old men who sat on the Bank of Montreal steps in the summertime and spat amber tobacco jets onto the dusty sidewalk. They were described as “downright worthless” or “downright lazy,” these two terms being synonymous. These shadows of wastrels, these flimsy remnants of past profligates, with their dry laughter like the cackle of crows or the crackling of fallen leaves underfoot, embarrassed me terribly, although I did not have any idea why. Walking down main street, I would avoid looking at them, feeling somehow that they should not be on view, that they should be hidden away in an attic along with the other relics too common to be called antiques and too broken to be of any further use. Yet I was inexplicably drawn to them, too.

Most helpful customer reviews

1 of 1 people found the following review helpful.
A lesson for everyday life
By delph
I have read this book and the very first time, it is true that it gives an impression of overwhelming death and sorrow. The protagonist, Vanessa, comes into contact with life, that is REAL life and she just finds it hard to cope. But it is a story which is just so incredibly true-to-life that any one can identify themselves with the main character. It is only many, many years after that Vanessa understands what had confused her when she was 10 : her grandfather, so much feared and respected, and all the deaths which she had to endure in her family. If you have ever been at that stage, losing some of the people you loved in your heart of hearts, you will understand what Vanessa had to go through and see yourself in her position in front of new things as painful as death. It is not morbid at all, it just shows you that your family is there to help, but that in any case, everything's not hunky-dory!!!

1 of 1 people found the following review helpful.
8 Great Stories of Canadian Culture and Heritage
By A Customer
This is a book I chose for a Grade 13 English ISU up here in Toronto. This book is in essence, about the developing process of a young female writer, Margaret Laurence, portrayed in this book as Vanessa MacLeod.
I found the story entitled "The Loons" was the most interesting, it dealt the Native Indian issue of segregation and compared it with the crying of the loons.

2 of 3 people found the following review helpful.
I recommend this book
By abby
I really enjoyed this book. We studied it in school this year and at first I found it a bit slow but after a few pages I started to really get into it. It was easy to identify with the main character Vanessa and I really liked the way the rest of the characters were described, especially the grandfather. Here's a little example; "Well, Peter, you've brought the wood." It was his habit to begin conversations with a statement of the obvious, so that nothing except agreement was possible." I like this because it sums up the grandfather' character in two sentences, even though it's being developped throughout the entire novel. I can't really explain exactly why I enjoyed this book so much, I guess it's because of the subtle humor and the emotion involved. The sad parts are quite moving, and that's difficult to do without making the whole book depressing.

See all 12 customer reviews...

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Senin, 09 Februari 2015

* PDF Download Digital Play: The Interaction of Technology, Culture, and Marketing, by Stephen Kline, Nick Dyer-Witheford, Greig de Peuter

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Digital Play: The Interaction of Technology, Culture, and Marketing, by Stephen Kline, Nick Dyer-Witheford, Greig de Peuter

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Digital Play: The Interaction of Technology, Culture, and Marketing, by Stephen Kline, Nick Dyer-Witheford, Greig de Peuter

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Digital Play: The Interaction of Technology, Culture, and Marketing, by Stephen Kline, Nick Dyer-Witheford, Greig de Peuter

Digital Play offers a critical analysis of interactive media. Inspired by the work of Raymond Williams, the book traces the development of video gaming from its humble origins in hacker circles to its current status as a $20 billion global cultural industry. Stephen Kline, Nick Dyer-Witheford, and Greig de Peuter systematically debunk cyber-guru optimism about globally networked digital communications by analysing the management practices of the corporations that designed and marketed video games to youthful audiences. They reveal that the ascent of this new communications industry has been anything but smooth and inevitable. From Atari to Microsoft, Space Invaders to The Sims, the authors uncover the successive crises that forced game makers, faced with constant instabilities in the global entertainment sector, to become increasingly innovative.

  • Sales Rank: #185773 in Books
  • Published on: 2003-05-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.10" w x 6.00" l, 1.24 pounds
  • Binding: Paperback
  • 376 pages

Review
"The authors are to be commended for undertaking this major history of the video game in our contemporary global economy. I am impressed with their research, and the arguments are convincingly developed using careful textual analysis and powerful graphic illustrations."

About the Author
Greig de Peuter is a PhD candidate, School of Communication, Simon Fraser University.

Nick Dyer-Witheford is associate professor in the Faculty of Information and Media Studies at University of Western Ontario. He is author of "Cyber-Marx: Cycles and Circuits of Struggle in High-Technology Capitalism" and co-author of "Digital Play: The Interaction of Technology, Culture, and Marketing" and "Games of Empire: Global Capitalism and Video Games".

Stephen Kline is professor and director of Media Analysis Laboratory, School of Communications, Simon Fraser University.

School of Communication, Simon Fraser University

Most helpful customer reviews

4 of 5 people found the following review helpful.
Critical postmodern analysis
By Malvin
"Digital Play" critically analyzes the video and computer game industry and theorizes about its significance in contemporary society. The book is somewhat unusual in that it is the collaborative product of three authors, but the writing seems to blend perfectly and makes for a consistent and high-quality read. The end product is an accessible and entertaining book that could serve to introduce a wide audience to critical postmodern analysis.
Nick Dyer-Witheford of "Cyber-Marx" fame is one of the authors. Mr. Dyer-Witheford's influence is discernable in at least several sections where the post-Marxist themes of corporate control versus freedom that are evident in "Cyber-Marx" are used to very good effect. First, he deflates the wildly optimistic claims of techno-utopians such as Alvin Toffler, reminding us that technology remains in service to corporate profits and therefore narrows and limits the possibility of "choice, interactivity and empowerment" that digital games purportedly offer. Second, Mr. Dyer-Witheford points to piracy and hacking as evidence that freedom from corporate control and a return to "play" in its purest sense may yet remain possible.
The authors contend that video games are worthy of serious study because they represent the "ideal-type" postmodern commodity. So whereas the automobile is closely associated with the "industrial capitalism" of the Fordist era, the video game embodies the "information capitalism" of today's "perpetual innovation" society.
The ideal-type commodity does not mean that it avoids crisis, however. The authors posit that the accelerating "circuits" of technology, culture and marketing that drive postmodern society in general and the video game business in particular "can be broken or come into contradiction" in numerous ways. The authors go on to critique each of these three circuits and produce many pages of very thoughtful analysis.
For example, an interesting aspect of the industry that is often overlooked is manufacturing and the international division of labor. Electronic game equipment is often produced by proletariat labor in the poor countries of the South for the benefit of relatively wealthy consumers in the North. The authors point out that the game industry, like most capitalist enterprises that exploit the so-called free trade system in search of higher profits, will find it difficult to develop new markets for its products until it is willing to pay its third-world factory workers enough money to stimulate demand. In fact, the authors state that corporate managers should not be too surprised when intellectual property gets pirated by people who feel that they have been cheated by the economic system.
But probably the most stinging criticism concerns the close connection of games with Cold War research and development. The "militarized masculinity" that characterizes so many games originated here and has been perpetuated by corporate marketing in pursuit of profits. But the authors point out that if the industry fails to find successful alternative game genres and graphic violence continues to escalate, future interest in gaming may be jeopardized even as the potential damage to children exposed to such psychic intensity remains unknown.
In short, "Digital Play" is highly recommended to everyone interested in deconstructing the multi-faceted and increasingly fantastical world that has been brought to us by the "military and entertainment" complex.

4 of 5 people found the following review helpful.
A clever look at the global industry of interactive gaming
By A Customer
Books on electronic gaming and video game culture predominantly concentrate on the history of the industry or on nostalgic returns to retro gaming, often punctuated with coloured photos and screenshots. Digital Play is one of the few books currently available that provides an insightful look into the social, cultural, and economic relationships between game players, and the engaging game texts, technologies, and market forces of the information age. As interactive gaming continues to establish itself as a major global media business, it becomes increasingly important for us to employ a critical perspective of the blossoming industry. Kline, Witheford, and Peuter's Digital Play couldn't have arrived at a better time.
Digital Play is cleverly divided into three segments, each focusing on different bearings of interactive gaming but effectively converging into a single conclusive "coda." Discussion begins with a theoretical approach to analyzing gaming and its industry as it relates to circuits of interactivity including culture, technology, and marketing. Theoretical concepts collected from media theorists Marshall McLuhan and Raymond Williams, are successfully transferred to the medium of the videogame. What follows is a look at the existence of interactive gaming in a post-Fordist, and postmodern society of information technology and hyper-reality. This facilitates the understanding of historical circumstances of developing circuits of interactivity outlined in earlier chapters. While the first segment may seem theoretically and linguistically intense, it remains deeply involving and is ever mindful of the topic at hand: video games.
The second segment of Digital Play covers the historical background of games from their early beginnings in the military-industrial complex to the relentless corporate firefight known to many as the "console wars." However, unlike previous electronic gaming texts, the historical accounts are retold stressing the importance of technology, culture, and marketing. Digital Play thus provides a fresh and extremely entertaining parade through electronic gaming's past. What readers may find most absorbing in this stretch are the political-economic struggles endured by the gaming companies (Atari for example) who pioneered the industry only to meet with fierce competition and an unstable market for interactive entertainment.
The initial chapters of Digital Play concentrated on technology and communication studies, and the following chapters zeroed-in on history and marketing practices. However, this theoretical triad could not be complete without the presence of one more area of study: game culture as an industry and practice. In a chapter entitled "Workers and Warez" the authors examine gaming technologies on global levels of production and consumption, such as the exploitation of off-shore labourers and increasing levels of hacking, console "modding", and software piracy. Subsequent chapters provide studies in branding and licensing, violence and gender, and my personal favourite...political economy. Chapter 12 assembles the major themes of Digital Play, suggesting that Electronic Arts' best-selling game "The Sims" can be viewed as a microcosm of our own capitalist society, wrought with consumerist ideology. While we manipulate the digital Barbie dolls of our virtual technology, so too does a system of communication technologies, global enterprise, and postmodern digital culture manipulate our symbolic relationship with the logic of a capitalist system.
I thoroughly enjoyed reading Digital Play and wouldn't hesitate to purchase any game-related books that any of the authors might publish in the future. Digital Play offers an engaging critical look at the gaming world's industry, technology, and culture, and should not be ignored by those looking to study interactive games from an academic viewpoint or by those simply looking for enjoyable reading.

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Sabtu, 07 Februari 2015

!! Download PDF The Favourite Game & Beautiful Losers, by Leonard Cohen

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The Favourite Game & Beautiful Losers, by Leonard Cohen

The Favourite Game & Beautiful Losers, by Leonard Cohen



The Favourite Game & Beautiful Losers, by Leonard Cohen

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The Favourite Game & Beautiful Losers, by Leonard Cohen

Leonard Cohen’s two classic novels now available together in this collector’s edition.

This beautifully designed collector’s hardcover edition brings together Leonard Cohen’s acclaimed novels in a single volume. Published originally in 1963 and 1966, these novels have had a recent resurgence of popularity and sales around the world.

In his unforgettable debut novel, The Favourite Game, Cohen boldly etches the youth and early manhood of Lawrence Breavman, only son of an old Jewish family in Montreal. Beautiful Losers is Cohen’s classic novel of the sixties. Funny, harrowing, and deeply moving, it is his most defiant and uninhibited work.

  • Sales Rank: #1949982 in Books
  • Published on: 2009-09-22
  • Released on: 2009-09-22
  • Format: International Edition
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 1.50" w x 5.90" l,
  • Binding: Hardcover
  • 505 pages

Review
“Is there any Canadian novel as compelling and as good at capturing youthful anxieties as J. D. Salinger’s Catcher in the Rye? Absolutely.…Leonard Cohen’s first novel, The Favourite Game.…One of the 10 best Canadian novels of the 20th century.…”
— Globe and Mail (January 2000)

“The Favourite Game is a morally brave book, intimate and unflinching.…Leonard Cohen sustains the highest level of poetic craftsmanship throughout.”
— Paul Quarrington

“He is a writer of terrific energy and colour, a Rabelaisian comic and a visualiser of some memorable scenes.”
— The Observer (U.K.)

“It is the kind of book that becomes a law unto itself, simply because there is nothing with which to compare it.”
— Calgary Albertan

“Cohen assaults the reader with words, images, pyrotechnics and love. [Beautiful Losers is] a raging, poetic, highly personal and eminently readable book.”
— Toronto Star

About the Author
Leonard Cohen’s artistic career began in 1956 with the publication of Let Us Compare Mythologies. He has published twelve books, most recently the #1 national bestseller Book of Longing. When he is not on a concert tour, he divides his time between Los Angeles and Montreal.

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2 of 2 people found the following review helpful.
Excellent Oldie.
By Opah Jorge
An oldie. Got the two together for my father. All three of us are of the liking, but he's of the era. Good words from a soft spoken man. The book itself is beautifully laid out and the jacket design is classically retro. Brought out a pleasantly surprised smile.

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Rabu, 04 Februari 2015

## Get Free Ebook The Ministry of John Knox: Pastor, Preacher, and Prophet (Texts and Studies in Religion, V. 93), by Richard G. Kyle

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The Ministry of John Knox: Pastor, Preacher, and Prophet (Texts and Studies in Religion, V. 93), by Richard G. Kyle



The Ministry of John Knox: Pastor, Preacher, and Prophet (Texts and Studies in Religion, V. 93), by Richard G. Kyle

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The Ministry of John Knox: Pastor, Preacher, and Prophet (Texts and Studies in Religion, V. 93), by Richard G. Kyle

Dr. Kyle presents here a vigorous, well documented account of important aspects of John Knox's character and mission, topics often passed over, or discounted in the standard histories. The result is a fuller, more rounded appreciation of a complex, paradoxical historical figure. Finally, we are given a clearer picture of Knox's distinctive place within the larger scene of the early modern religious upheavals that carried much of Europe away from the medieval Church of Rome. In the religious revolution that swept across Scotland in the latter sixteenth century, few personal influences were more decisive than that of John Knox. Yet scholars over the centuries since have found the eminent Scots reformer a puzzling and controversial figure about whom consensus has proven elusive. The shadow side of Knox's character and career has been frequently delineated. He is sometimes described as, above all, a rigid, rabble-rousing religious fanatic bent on achieving his goal--a truly godly Scotland--by whatever means necessary. Indeed, John Knox reserved a special contempt for Roman Catholicism. In sermons, letters, and pamphlets, as well as in his History of the Reformation in Scotland, Knox denounced the Catholic Church in such terms as "whore of Babylon" and "synagogue of Satan." He despised it for what he saw as its ingrained corruption and willful distortions of the biblical Word of God. Critics have claimed that it was Knox's unquenchable hatred of the Church of Rome that blinded him to all else. Some contend that it was this loathing, above all, that goaded him to sow religious bigotry and violence across the land and destroy what was most venerable and beautiful in the old order. In its place, he imposed a joyless, puritanical form of Christianity. Here, then, is the core of the indictment.

  • Sales Rank: #14064984 in Books
  • Published on: 2002-08
  • Original language: English
  • Dimensions: 9.50" h x 6.25" w x .75" l, 1.20 pounds
  • Binding: Hardcover
  • 252 pages

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## Get Free Ebook The Ministry of John Knox: Pastor, Preacher, and Prophet (Texts and Studies in Religion, V. 93), by Richard G. Kyle Doc

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