Senin, 28 Maret 2016

# Free Ebook Alice Munro's Best: Selected Stories, by Alice Munro

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Alice Munro's Best: Selected Stories, by Alice Munro

In her lengthy and fascinating introduction Margaret Atwood says “Alice Munro is among the major writers of English fiction of our time. . . . Among writers themselves, her name is spoken in hushed tones.”

This splendid gift edition is sure to delight Alice Munro’s growing body of admirers, what Atwood calls her “devoted international readership.” Long-time fans of her stories will enjoy meeting old favourites, where their new setting in this book may reveal new sides to what once seemed a familiar story; devoted followers may even dispute the exclusion of a specially-beloved story. Readers lucky enough to have found her recently will be delighted, as one masterpiece succeeds another.

The 17 stories are carefully arranged in the order in which she wrote them, which allows us to follow the development of her range. “A Wilderness Station,” for example, breaks “short story rules” by taking us right back to the 1830s then jumping forward more than 100 years. “The Albanian Virgin” destroys the idea that her stories are set in B.C. or in Ontario’s “Alice Munro Country.” And “The Bear Came Over the Mountain,” the story behind the film Away From Her, takes us far from the world of young girls learning about sex into unflinching old age.

This is a book to read slowly, savouring each story. It deserves a place in every Canadian book-lover’s library.

  • Sales Rank: #569281 in Books
  • Published on: 2008-10-28
  • Released on: 2008-10-28
  • Format: International Edition
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.50" w x 6.45" l,
  • Binding: Hardcover
  • 536 pages

Review
From reviews of The View From Castle Rock:

“Masterful. . .Munro really does know magic: how to summon the spirits and the emotions that animate our lives.” — Washington Post

“She proves herself once again one of those rare writers whose work changes the lives of her readers.” — Books in Canada

“The power of Munro’s storytelling never falters. . .This is a remarkable book.” — Sunday Telegraph

“The pre-eminent master of the short story. . .all delivered by her spare, wonderful prose.” — Independent on Sunday

“Thrilling. . .by the final page, the reader realizes that every word had been not only deliberate but essential.” — Newsday

About the Author
Born in Wingham, Ontario in 1931, Alice Munro has been hailed as a writer in the tradition of Chekhov. She has won many awards and prizes all over the English-speaking world. She and her husband divide their time between Clinton, Ontario, and Comox, British Columbia.

Excerpt. © Reprinted by permission. All rights reserved.
From “Differently”

Georgia got a part-time job in a bookstore, working several evenings a week. Ben went away on his yearly cruise. The summer turned out to be unusually hot and sunny for the West Coast. Georgia combed her hair out and stopped using most of her makeup and bought a couple of short halter dresses. Sitting on her stool at the front of the store, showing her bare brown shoulders and sturdy brown legs, she looked like a college girl — clever but full of energy and bold opinions. The people who came into the store liked the look of a girl — a woman — like Georgia. They liked to talk to her. Most of them came in alone. They were not exactly lonely people, but they were lonely for somebody to talk to about books. Georgia plugged in the kettle behind the desk and made mugs of raspberry tea. Some favored customers brought in their own mugs. Maya came to visit and lurked about in the background, amused and envious.

“You know what you’ve got?” she said to Georgia. “You’ve got a salon! Oh, I’d like to have a job like that! I’d even like an ordinary job in an ordinary store, where you fold things up and find things for people and make change and say thank you very much, and colder out today, will it rain?”

“You could get a job like that,” said Georgia.

“No, I couldn’t. I don’t have the discipline. I was too badly brought up. I can’t even keep house without Mrs. Hanna and Mrs. Cheng and Sadie.”

It was true. Maya had a lot of servants, for a modern woman, though they came at different times and did separate things and were nothing like an old-fashioned household staff. Even the food at her dinner parties, which seemed to show her own indifferent touch, had been prepared by someone else.

Usually, Maya was busy in the evenings. Georgia was just as glad, because she didn’t really want Maya coming into the store, asking for crazy titles that she had made up, making Georgia’s employment there a kind of joke. Georgia took the store seriously. She had a serious, secret liking for it that she could not explain. It was a long, narrow store with an old-fashioned funnelled entryway between two angled display windows. From her stool behind the desk Georgia was able to see the reflections in one window reflected in the other. This street was not one of those decked out to receive tourists. It was a wide east-west street filled in the early evening with a faintly yellow light, a light reflected off pale stucco buildings that were not very high, plain storefronts, nearly empty sidewalks. Georgia found this plainness liberating after the winding shady streets, the flowery yards and vine-framed windows of Oak Bay. Here the books could come into their own, as they never could in a more artful and enticing suburban bookshop. Straight long rows of paperbacks. (Most of the Penguins then still had their orange-and-white or blue-and-white covers, with no designs or pictures, just the unadorned, unexplained titles.) The store was a straight avenue of bounty, of plausible promises. Certain books that Georgia had never read, and probably never would read, were important to her, because of the stateliness or mystery of their titles. In Praise of Folly. The Roots of Coincidence. The Flowering of New England. Ideas and Integrities.

Sometimes she got up and put the books in stricter order. The fiction was shelved alphabetically, by author, which was sensible but not very interesting. The history books, however, and the philosophy and psychology and other science books were arranged according to certain intricate and delightful rules — having to do with chronology and content — that Georgia grasped immediately and even elaborated on. She did not need to read much of a book to know about it. She got a sense of it easily, almost at once, as if by smell.

At times the store was empty, and she felt an abundant calm. It was not even the books that mattered then. She sat on the stool and watched the street — patient, expectant, by herself, in a finely balanced and suspended state.

She saw Miles’ reflection — his helmeted ghost parking his motorcycle at the curb — before she saw him. She believed that she had noted his valiant profile, his pallor, his dusty red hair (he took off his helmet and shook out his hair before coming into the store), and his quick, slouching, insolent, invading way of moving, even in the glass.

It was no surprise that he soon began to talk to her, as others did. He told her that he was a diver. He looked for wrecks, and lost airplanes, and dead bodies. He had been hired by a rich couple in Victoria who were planning a treasure-hunting cruise, getting it together at the moment. Their names, the destination were all secrets. Treasure-hunting was a lunatic business. He had done it before. His home was in Seattle, where he had a wife and a little daughter.

Everything he told her could easily have been a lie.

He showed her pictures in books — photographs and drawings, of mollusks, jellyfish, the Portuguese man-of-war, sargasso weed, the Caribbean flying fish, the girdle of Venus. He pointed out which pictures were accurate, which were fakes. Then he went away and paid no more attention to her, even slipping out of the store while she was busy with a customer. Not a hint of a goodbye. But he came in another evening, and told her about a drowned man wedged into the cabin of a boat, looking out the watery window in an interested way. By attention and avoidance, impersonal conversations in close proximity, by his oblivious prowling, and unsmiling, lengthy, gray-eyed looks, he soon had Georgia in a disturbed and not disagreeable state. He stayed away two nights in a row, then came in and asked her, abruptly, if she would like a ride home on his motorcycle.

Georgia said yes. She had never ridden on a motorcycle in her life. Her car was in the parking lot; she knew what was bound to happen.

She told him where she lived. “Just a few blocks up from the beach,” she said.

“We’ll go to the beach, then. We’ll go and sit on the logs.”

That was what they did. They sat for a while on the logs. Then, though the beach was not quite dark or completely deserted, they made love in the imperfect shelter of some broom bushes. Georgia walked home, a strengthened and lightened woman, not in the least in love, favored by the universe.

“My car wouldn’t start,” she told the baby-sitter, a grandmother from down the street. “I walked all the way home. It was lovely, walking. Lovely. I enjoyed it so much.”

Her hair was wild, her lips were swollen, her clothes were full of sand.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Perfection
By An admirer of Saul
A superb collection of stories set in small town Canada and the people in them; the lonely; the misinterpretations between men and women, parents and children, the young and the old and the search for meaning in lives mainly governed by circumstance and chance.Each story is rich in detail and a joy to read.
Dedicated Munro readers would have come across these tales elsewhere, but as an introduction-or the book you give out to introduce her to friends and family-this is a fantastic collection.
'Perfection' is often used to describe Alice Munro's stories. As you have to write at least 20 words for an Amazon review, writing 'Perfection' 20 times would be a worthy review. Already, Alice Munro can be classified as an all time Nobel great.

1 of 1 people found the following review helpful.
Insightful descriptions of a small Canadian society
By Bob McGill
Insightful short stories about the part of Canada ( south western Ontario) that I grew up in and a remarkable description of its society and social mores of the 1940's through 1960's.

1 of 1 people found the following review helpful.
excellent insightful and enjoyable stories
By John Csernecky
Typical Munro, excellent insightful and enjoyable stories. A welcome break from from the machine novels of today

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Minggu, 27 Maret 2016

^ Ebook Free Today is the first day of the rest of your life, by Robert Thomas Allen

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Book by Allen, Robert Thomas

  • Sales Rank: #6571148 in Books
  • Brand: Brand: McClelland and Stewart
  • Published on: 1971
  • Number of items: 1
  • Binding: Paperback
  • 112 pages
Features
  • Used Book in Good Condition

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? Download PDF Siberian Education: Family, Honour, and Tattoos: An Extraordinary Underworld Life, by Nicolai Lilin

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Siberian Education: Family, Honour, and Tattoos: An Extraordinary Underworld Life, by Nicolai Lilin

A vivid, shocking, at times poetic revelation of a world we never imagined existed. Siberian Education is a real-life Eastern Promises seen through the eyes of a boy growing up in the close-knit community of the Urkas, descendants of criminals relocated from Siberia to the banks of the Dniester River, between Moldavia and Ukraine, in the 1930s. A tale of an extreme boyhood — violent, governed by rules of honour passed down through legend and taught via elaborate and mysterious tattoos, and ultimatedly doomed to disappear amidst post-Soviet capitalist gangsterism: an utterly unique look at a vanished society from someone who knew it intimately, even though he is not yet 30 years old.

  • Sales Rank: #12209226 in Books
  • Published on: 2011-09-06
  • Released on: 2011-09-06
  • Format: International Edition
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.98" h x 1.23" w x 5.18" l,
  • Binding: Paperback
  • 464 pages

Review
"A rarity. It tells the story of a world that has disappeared — that of the Siberian Urkas, the community of criminals deported by Stalin. You have to force yourself to forget about categories of good and evil. You have to just be there and read. . . . [It] will produce a thrill of pleasure that is hard to forget." 
— Roberto Saviano, author of Gomorrah

"Terrifying, fascinating, horrific and violent — Lilin's memoir is an eye-opening and gripping account of a childhood spent in the brutal Siberian underworld."
— Simon Sebag-Montefiore, author of Young Stalin

"Astonishing. . . . Takes you into some very strange worlds; frightening, violent and yet with spirited moments of redemption which both offer hope and keep you reading. . . . Remarkable for its authenticity. . . . A breathtaking memoir." 
— Misha Glenny, author of McMafia
 
"This story makes most of what we call true crime writing seem insipid and effete. Nicolai Lilin has produced a marvellous and illuminating book, which goes way beyond an expose of a subculture and lifestyle, and eventually forces us to reassess our notions of good and evil. If you want to understand how the so-called Russian Mafia came to dominate the global criminal underworld, Siberian Education provides many of the answers. An isolated, persecuted people, drawn together by a ruthless yet vividly moral bond against the authorities, and who relentlessly refuse to cede the monopoly of violence to the state, in our sanitized Facebook and Twitter world order, perversely emerge as the last great caste of anti-heroes." 
— Irvine Welsh, author of Trainspotting

"A chilling portrait of the viciousness that comes from political disenfranchisement. . . . [Lilin] brilliantly depicts a criminal underworld of strict mores, arcane logic and brutal justice. . . . Amid the depravity of its anti-heroes, Siberian Education paints a memorable world of anarchism, devotion, humor and respect."
— The Wall Street Journal online

“A bracing, true-crime curiosity. . . . A meditation on kin, clan and freedom, and works overtime at inverting traditional notions of law and morality. . . . Rollicking. . . . A discursive amble through the minutiae of the Siberian criminal underworld.” 
 — National Post

About the Author
NICOLAI LILIN was born in 1981 and grew up in the small Soviet republic of Transnistria, which declared its independence from the Russian federation in 1991, although Russia has never recognized this. As a young adult, Nicolai was conscripted into the Russian army and sent to fight in Chechnya. He later became a fisherman off the coast of Ireland, before moving to Italy where he currently runs a tattoo parlour in Turin. Siberian Education is his first book.

JONATHAN HUNT was born in Portsmouth in 1951. He has taught at the universities of Munich, Cambridge, and Turin, and his translations from the Italian include Niccolo Ammaniti's I'm Not Scared and Steal You Away, and Carlo Petrini's Slow Food Nation.

Excerpt. © Reprinted by permission. All rights reserved.
I know it shouldn’t be done, but I’m tempted to start from the end.
 
For example, from the day we ran through the rooms of a ruined building, firing at the enemy from such close range we could almost touch them with our hands.
 
We were exhausted. The paratroopers worked in shifts, but we saboteurs hadn’t slept for three days. We went on like the waves of the sea, so as not to give the enemy the chance to rest, carry out manoeuvres or organize their defences. We were always fighting, always.
 
That day I ended up on the top floor of the building with Shoe, trying to eliminate the last heavy machinegun. We threw two hand grenades.
 
In the dust that was falling from the roof we couldn’t see a thing, and we found ourselves face to face with four enemies who like us were wandering like blind kittens through the grey, dirty cloud, which reeked of debris and burnt explosive.
 
I had never shot anyone at such close quarters in all my time in Chechnya.
 
Meanwhile, on the first floor our Captain had taken a prisoner and killed eight enemies, all by himself.
 
When I came out with Shoe I was completely dazed. Captain Nosov was asking Moscow to keep an eye on the Arab prisoner, while he, Ladle and Zenith went to check out the cellar.
 
I sat on the stairs next to Moscow, opposite the frightened prisoner, who kept trying to communicate something. Moscow wasn’t listening to him, he was sleepy and tired, as we all were. As soon as the Captain turned his back, Moscow pulled out his pistol – an Austrian Glock, one of his trophies – and, with an arrogant leer, shot the prisoner in the head and chest.
 
The Captain turned round, and looked at him pityingly without saying a word.
 
Moscow closed his eyes as he sat down beside the dead man, overcome with exhaustion.
 
Looking at all of us as if he were meeting us for the first time, the Captain said:
 
‘This is too much. Everyone into the cars! We’re going for a rest, behind the lines.’
 
One after another, like zombies, we trooped off towards our vehicles. My head was so heavy I was sure that if I stopped it would explode.
 
We went back behind the lines, into the area controlled and defended by our infantry. We fell asleep instantly; I didn’t even have time to take off my jacket and ammunition belt before I fell into the darkness, like a dead man.
 
Soon afterwards Moscow woke me by hammering the butt of his Kalashnikov on my jacket, at chest level. Slowly and reluctantly I opened my eyes and looked around; I struggled to remember where I was. I couldn’t get things into focus.
 
Moscow’s face looked tired; he was chewing a piece of bread. Outside it was dark; it was impossible to tell what time it was. I looked at my watch but couldn’t see the digits; everything was hazy.
 
‘What’s happening? How long have we slept?’ I asked Moscow in a weary voice.
 
‘We haven’t slept at all, brother . . . And I think we’re going to have to stay awake quite a while longer.’
 
I clasped my face between my hands, trying to muster the strength to stand up and arrange my thoughts. I needed to sleep, I was exhausted. My trousers were dirty and wet, my jacket smelled of sweat and fresh earth. I was worn out.
 
Moscow went to wake the others:
 
‘Come on, lads, we’re leaving immediately . . . We’re needed.’
 
 
They were all in despair; they didn’t want to get up. But, grumbling and cursing, they struggled to their feet.
 
Captain Nosov was pacing around with the handset to his ear, and an infantryman was following him around like a pet dog, with the field radio in his rucksack. The Captain was angry; he kept repeating to somebody or other, over the radio, that it was the first break we’d taken in three days, and that we were at the end of our tether. It was all in vain, because eventually Nosov said, in a clipped tone:
 
‘Yes, Comrade Colonel! Confirmed! Order received!’
 
They were sending us back to the front line.
 
I didn’t even want to think about it.
 
I went over to a metal tank full of water. I dipped my hands into it: the water was very cool; it made me shiver slightly. I put my whole head into the drum, right under the water, and kept it there for a while, holding my breath.
 
I opened my eyes inside the tank and saw complete darkness. Alarmed, I jerked my head out, gasping for air.
 
The darkness I’d seen in the tank had shocked me. Death might be just like that, I thought: dark and airless.
 
I leaned over the tank and watched, shimmering on the water, the reflection of my face, and of my life up to that moment.

Most helpful customer reviews

11 of 13 people found the following review helpful.
Incredible
By Sergey Khromov-Borisov
All the content of this book is genuine lies.

It's really amazing how deceivable the Western people can be. And the publishers could at least ask - not even an expert but any Russian person, about truthfulness of this delirious nonsense. We all laugh here at this book and even more at the reviews of many reputable Western literary critics.

0 of 0 people found the following review helpful.
Book Okay....quick read.
By Biff
Saw "Deadly Code" (movie based on this book) with John Malkovich and was interested enough to buy the book.

This book is almost stream of consciousness the way he rambles at times. Reminds me of the book "Gangs of New York" (which was simply a series of newspaper articles) in that the storyline is a series of stories that hop from one story to another to another and then finally back to the original - - you really have to pay attention to get it.

The book was okay - - I couldn't wait to finish it because I wanted it done so I could move on.

10 of 13 people found the following review helpful.
NEITHER ONE THING NOR THE OTHER
By DAVID BRYSON
Be careful about acquiring this effort on the basis of short synopses or seeming recommendations that you may read. You might get an unduly favourable impression, as I did myself, of what is in store for you. It is neither one thing nor the other, as Churchill said when he saw the name Bossom in a list of members of parliament. It is neither fact nor fiction, and to call it autobiography or depiction of a culture would involve a huge strain of either term. It is not really even a book in my own opinion.

What it resembles is a serial appearing every 7 days in some weekly magazine. When I was a boy there used to be several such magazines for my age-group, although the stories and events that they serialised were of course a lot more wholesome and edifying than this is. They were also shorter, and if you are determined to grit your teeth and finish this one you have 440 or so pages to cope with. Fortunately the quality of the writing is not a problem, it being competent enough. There are enough real difficulties, one being the corny narration of the supposedly quaint and purportedly interesting values and rites of this alleged community of Siberian criminals with their own codes of honour and conduct. When I was young the weekly mags that I have just mentioned used to fascinate us with tales of elite schools whose interns went through equally pointless pantomimes. We were intended to gawp at this exclusive nonsense like children with our noses pressed against the window of a shop whose wares were out of our price-range, and the whole atmosphere of it all came back to me forcibly when I read `The umbilical cord of newborn babies is cut with a pike, which must first have been left overnight in a place where cats sleep.' That gem is on p 31, but believe me, I really did struggle through to the bitter end, overcoming a powerful momentary sense that this was as much as I could endure.

It is all about the life and times (or deaths and times) of a Siberian community uprooted to the region of Transnistria. Transnistria is a strip of riverbank between the Ukraine and Moldova, and I believe that it declared independence in 1990, although this has been recognised only by Abharzia and South Ossetia, which in their turn have yet to achieve widespread recognition. The level of violence would have made the Kray twins quail, but, oddly, I experienced no sense of disgust because I believed very little of what I was reading. I don't doubt that it is all based on the author's background and experience, but it is blatant romancing. There is surprisingly little sex in the story, but if that is what you are looking for start at p 286, which inaugurates 20 or so pages of detailed descriptions of male rapes in a prison.

I can see no point in fretting over accuracy or verisimilitude, as these are manifestly not what this is all about. On p 79, for instance, I read that `in present-day Russia hardly anyone knows about the deportation of the Siberians to Transnistria.' That might be, I reflected, because it never happened, as a reliable source informs me. Even my own minimal grasp of the epoch is enough to let me correct the text on p 204, where the author seemingly commits himself to the belief that Yugoslavia was part of the Soviet bloc.

I hope and believe that that's a fair summary. If you wish to claim otherwise, you must at least read the lot from start to finish, as I genuinely did. It can be done, but it's a challenge.

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Jumat, 25 Maret 2016

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  • Sales Rank: #4410467 in Books
  • Brand: Brand: McClelland Stewart
  • Published on: 1983-01-01
  • Released on: 1983-01-01
  • Original language: English
  • Binding: Paperback
Features
  • Used Book in Good Condition

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The Stone Angel, by Margaret Laurence

  • Sales Rank: #5222793 in Books
  • Published on: 1998-04-04
  • Format: Import
  • Original language: English
  • Number of items: 2
  • Dimensions: 8.37" h x 1.17" w x 5.97" l,
  • Binding: Paperback

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41 of 42 people found the following review helpful.
Do not go gentle into that good night.
By Cipriano
This is essential CanLit 101.

Iconic!

For the longest time I have intended to read Margaret Laurence, and this is where I have started. I now know that I will continue on and read more of her work, especially the other Manawaka books in the series.

I think we are looking at some essential Canadian literature here, and yet, nearly every high school student from St John's to Victoria would rise up and say "What? Are you nuts?" As much as this book is inflicted upon the high-schoolers of Canada, it sure has not gained a welcome reception by that age group! For the Canadian teenager, seeing The Stone Angel on the English syllabus has become the equivalent of.... hmmm what would one say? Having a radio that is locked on the CBC station?

I believe this is because The Stone Angel is a book that is all about the "interior" and to truly love the book the reader must have an appreciation of the life processes involved in becoming an elderly person. From start to finish we are on the inside of this character Hagar Shipley. It is not the realm of the exciting pace and involved plotline. This book is rather a very somber, brooding, introspective look at a proud and uncompromising woman in her nineties. She is a woman who does not (in the slightest) want to succumb to the realities, adjustments, and inconveniences of aging and dying. As she faces the combined trauma of diminished health and loss of meaningful relationships, she has to come to terms with who she really is.

How far will her incessant pride and irritable crankiness get her in this last year of her life? How can she escape from those who try to make it all easier for her? Will she confess her unmitigated (and inevitable) need of others... of those who truly, and undauntingly, care for her well-being? Will she break down or remain haughty?

Laurence is simply brilliant in that she weaves a seamless web between the present and the past, between Hagar's current experience and her memories.

It is not easy, the transition[s] that we who will live on into old age will have to make if we are to succeed at being old. This book pulls no punches with how difficult the process can be, especially for the type "A" personality.

It is no accident that the book begins with the lines from Dylan Thomas:

Do not go gentle into that good night.

Rage, rage against the dying of the light.

It is a story about a woman who raged. And yet (in my opinion)there is not one real angry tirade in it! It is (I think) a different sort of "raging" that is being dealt with here in the story, as with the poem by Thomas. It is not the kind of raging that is with gritted teeth and defiance, [denial] it is the kind of raging that is mingled with profound sadness and regret... yes, anger too I suppose, but anger only because one has to leave behind so much of what one loves.

Here is the realistic journey of a woman who has to come to terms with the fact that "what's going to happen can't be delayed indefinitely."

I think the book is somewhat of a masterpiece. Voraciously, I read it.

31 of 32 people found the following review helpful.
I found this to be a totally engrossing, believable tale
By Kcorn
As you can probably tell by some of the other reviews, this book will NOT be for everyone. If you're looking for a quick escape, lots of action or a strong romance, this is not the book you want. However, if you enjoy books that aren't your usual fare and are strong on psychological tension, this is an excellent choice. I absolutely loved this story of an elderly woman, a rather judgmental, cantankerous person. I like novels that show how a person grows and changes and I find slow change to be most believable and true to life, as it is in this book. Many readers may have found Hagar Shipley's life to be rather mundane, even dull. But I didn't - her marriage to a man she eventually saw as inferior and coarse, her relationship with her children, her desire to make a proper home and better herself - were all quite realistic to me. As she becomes increasingly frail and dependent on her son and daughter-in-law, she also comes to see her life in a different way. I won't reveal more but I do urge you to read this one and stick with it. Odds are, you'll want to read more by the gifted author, Margaret Laurence.

20 of 22 people found the following review helpful.
Another thought......
By Cynthia Kerr
Most of the negative reviews seem to come from those who are forced to read this for their OAC requirements. I too had to read this book and I too could not, at the time, see WHY. In retrospect though I learned to appreciate what Hagar taught.....that space and the ability and right to choose for one's self is EVERYTHING. It's all we have.
Hagar's right to choices was fading and she felt trapped - hence the reason she ran from her present and retreated to the days where she faced a future full of decisions.......
Read this again when you are out of highschool and it all makes sense. Better yet, visit your relatives in a nursing home and think of Hagar.

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Kamis, 24 Maret 2016

^ Ebook Download Nubia and Egypt 10,000 B.C. to 400 A.D.: From Prehistory to the Meroitic Period, by Larry Ross

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Nubia and Egypt 10,000 B.C. to 400 A.D.: From Prehistory to the Meroitic Period, by Larry Ross

This is the first book to claim that the Black Nubians played an essential role in the rise of Ancient Egyptian civilization. Ross is the first scholar to argue that there is a shared origin of Nile Valley Civilization between Nubian and Egyptian cultures. Nubia today is known as the nation-states of Sudan and South Sudan, and has been misrepresented for thousands of years by Egyptian sources, which minimized the role the people played in world history. This book draws on recent archaeological findings that claim Pharonic symbolism, sacred bark, and serekh, are of Nubian origin, not Egyptian.

  • Sales Rank: #8337584 in Books
  • Published on: 2012-08-31
  • Original language: English
  • Dimensions: 9.00" h x 6.25" w x .75" l, 1.15 pounds
  • Binding: Hardcover
  • 229 pages

Review
"Dr. Larry Ross challenges the conventional view and scrupulously documents the latest archaeological research. Nubia, it appears, was not all that rustic, nor was it distinct from Egypt. Indeed, "Egyptian culture" is now known to have sprung from a Nubian root. Whether one agrees with him or not, his argument is one that must be addressed." (Prof. Gregory K. Anderson Lincoln University)"

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Rabu, 23 Maret 2016

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"Crossroads" is an English/Language Arts series for grades 7 to 10, developed by a team of educators from across Canada. This series provides a developmental approach to instruction over the four grades, and reflects congruence with all Canadian curricula, while meeting a wide range of student interests. Benefits/Features: Organized thematically - 6 themes; Alternate Table of Contents indicates genre and alternate themes, allowing organizational flexibility; Goals at a Glance boxes focus students on the key expectations/outcomes; Strategy boxes offer practical suggestions for activities that focus on writing, media studies, and literary analysis; Focus on Process pages provide in-depth, how-to guides for the processes of writing and other language strands; Student Response activities for each selection focus on writing, reading comprehension, and oral comprehension; and End of Unit activities provide a basis for formative evaluation covering all aspects of the curriculum.

  • Sales Rank: #187197 in Books
  • Published on: 1999
  • Ingredients: Example Ingredients
  • Number of items: 1
  • Dimensions: 9.69" h x .79" w x 7.44" l, 1.59 pounds
  • Binding: Hardcover

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Selasa, 22 Maret 2016

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Pierre Berton: A Biography, by Brian Mckillop

The first ever biography of one of Canada’s best-known and most colourful personalities by an award-winning author.

From his northern childhood on, it was clear that Pierre Berton (1920—2004) was different from his peers. Over the course of his eighty-four years, he would become the most famous Canadian media figure of his time, in newspapers, magazines, radio, television, and books — sometimes all at once. Berton dominated bookstore shelves for almost half a century, winning Governor General’s Awards for Klondike and The Last Spike, among many others, along with a dozen honorary degrees.

Throughout it all, Berton was larger than life: full of verve and ideas, he approached everything he did with passion, humour, and an insatiable curiosity. He loved controversy and being the centre of attention, and provoked national debate on subjects as wide-ranging as religion and marijuana use. A major voice of Canadian nationalism at the dawn of globalization, he made Canadians take interest in their own history and become proud of it. But he had his critics too, and some considered him egocentric and mean-spirited.

Now, with the same meticulous research and storytelling skill that earned him wide critical acclaim for The Spinster and the Prophet, Brian McKillop traces Pierre Berton’s remarkable life, with special emphasis on his early days and his rise to prominence. The result is a comprehensive, vivid portrait of the life and work of one of our most celebrated national figures.


From the Hardcover edition.

  • Sales Rank: #6379356 in Books
  • Published on: 2010-09-07
  • Released on: 2010-09-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.83" h x 1.46" w x 5.99" l, 1.70 pounds
  • Binding: Paperback
  • 808 pages

Review
“Excellent biography . . . In this evenhanded, judicious and authoritative work, McKillop does justice to the colossus.”
— Ken McGoogan, Globe and Mail

“McKillop’s book is, like the best of Berton himself, compellingly readable. It is a biography, doubtless definitive, which readers interested in Berton, his distinguished career and in Canada’s history, will want to keep on their shelves.”
— London Free Press

“Magnificent biography.”
— Winnipeg Free Press

“Reading it is like taking a long, but leisurely train trip through the 20th century.”
— Kitchener-Waterloo Record

“McKillop never loses sympathy with Berton, but he recounts the failings as well as the virtues of his subject, his occasional outbursts of petulance as well as his unfailing generosity.”
— National Post


From the Hardcover edition.

About the Author
Chancellor’s Professor and Chair of the Department of History at Carleton University, Brian McKillop is one of Canada’s leading historians. He is the author of several scholarly works, as well as The Spinster and the Prophet, which was shortlisted for the Governor General’s Award for Nonfiction and the Charles Taylor Prize, and which won the Arthur Ellis Award for Best Non-Fiction, the UBC President’s Medal for Biography, and the Toronto Book Award. He was elected to the Royal Society of Canada in 2001 and lives in Ottawa.


From the Hardcover edition.

Excerpt. © Reprinted by permission. All rights reserved.
In the summer of 1957, when Berton was dictating and then editing the text of his gold rush book for Knopf, the CBC aired a new television panel show, the brainchild of the writer John Aylesworth, as a summer replacement for The Denny Vaughan Show, a variety series. (At the end of August, Vaughan’s show was cancelled and he complained that the CBC was “selling out Canadian talent to the Americans” by drastically cutting variety entertainment.) Panel and quiz shows were ubiquitous on television at the time. They were informative, entertaining, and — most important — inexpensive to produce. With its title adapted from the American game show The $64,000 Challenge, and its basic idea borrowed from the BBC program What Happened Last Week, the show first aired on Monday evening, June 24, 1957. Guided by a moderator, three regular panellists and a guest questioned and identified a person hidden behind them to discover the news story from past or present to which he or she had a connection.

That evening, led by the moderator Win Barron, the panel of Front Page Challenge consisted of the veteran newspaper columnist Gordon Sinclair, the twenty-one-year-old actress Toby Robins, and the American-born entertainment writer Alex Barris. The former Maclean’s journalist Scott Young rounded out the group of interrogators. Together, they managed to identify a man who had survived a mine disaster at Moose River (Alfred Scadding), a woman who had been present at the birth of the Dionne quintuplets (Madame Legros), and the mayor of Montreal (Jean Drapeau), whose story was the investigation of criminal vice on his city’s streets.

Berton did not see the program because he did not own a television, but he knew about it. Stories had circulated in Toronto media circles during the early summer about the auditions that its producer, Harvey Hart, was holding in the basement rec room of his Willowdale home. “Everybody, it seemed, was being tested except me,” Berton wrote. He need not have worried at the lost opportunity. A month into the summer run of Front Page Challenge, the CBC confirmed that the program would continue into the fall. Hart decided that two changes of personnel were necessary. Win Barron, the show’s “managing editor” (as the moderator was initially called), had proven to be hesitant and uncertain on air, and Alex Barris tended to be too flippant to pursue the hidden stories. On July 25, CBC management announced that the managing editor of Maclean’s, Pierre Berton, would be a Front Page Challenge guest panellist on August 5. (The contract called for Berton to receive a fee of $100.) When the day of the show came, Berton drove down from Ogopogo Lodge in the Haliburton Highlands to make his appearance. He never did audition for the role.

The first weeks were by no means easy. On the day after Berton’s guest appearance, Gordon Sinclair noted in his Toronto Star radio and television column that while its ratings from the Toronto-based polling firm Elliott Haynes placed Front Page Challenge first among Canadian-made programs, ahead of Holiday Ranch and Country Hoedown, fourteen American shows scored above it. By the end of the month, its producers had stirred up a good deal of consternation and resentment within the Toronto entertainment community by announcing that Barron would be leaving and by restricting the search for his replacement to a handful of well-known entertainment figures — thought to be Berton, the veteran broadcaster Austin Willis (brother of J. Frank), the actors Paul Kligman and Barry Morse, and the musician and television host Fred Davis. To make matters worse, the CBC brass inexplicably replaced Harvey Hart, a decision that upset both the producer and the panel.

Near the end of September 1957, word leaked out that Davis had won the competition for moderator and that Barris had “lost his seat on the panel.” A month later, in his Star column, Gordon Sinclair revealed two secrets about the program. “Pierre Berton will be a semi-regular three out of four on ‘Front Page Challenge,’” he wrote, “and apparently granddad that I am, I was the last of the whole crew to notice why Toby Robins no longer does a walk on.” Just as no married couple in a television situation comedy could be seen in the same bed without one foot on the floor, no visibly pregnant woman could be allowed on-air exposure.

Few journalists in Canada had proven better at pursuing a story than Berton, but that was only one contribution he could make to the show. Its producers quickly recognized that the program’s appeal lay more with the panel’s personalities than with the hidden guests or their elusive stories. No less than a prime-time soap opera, Front Page Challenge had a cast of characters. Playing variations on themselves, Sinclair became the blunt and grizzled columnist, Robins the beautiful and perky young actress, and Pierre the chippy reporter. The mix was perfect: an old curmudgeon viewers grew to like, an aspiring career woman they immediately admired, and a smug know-it-all they loved to hate.

June Callwood captured Pierre Berton, panellist, as viewers saw him in the early days of Front Page Challenge: “When moderator Fred Davis cried, ‘Pierre, you’re right again!’ the studio audience begins to applaud and there is a swelling of orchestral jubilation but Pierre’s expression remains stern, unsmiling, unsurprised. He blinks a few times to indicate indifference, all but yawns and, in general, displays the characteristics of a boy riding no-hands past his girl friend’s house.”

Berton could bring to the program a detective’s instinct, needed for tough stories, and so to some viewers he was “the aloof inquisitor, the very epitome of a hard-nosed reporter, who tracked down a story and grilled a victim with a cold zeal.” But they knew too that on another level he served as a foil to the accommodative instinct of Canadians that made this northern breed of former colonials at once nice but boring, even to themselves. This was an ingredient missing on Front Page Challenge at the beginning, and in Berton its producers found an antidote to “nice.” This was a man viewers could detest for his cocky detachment yet admire for his breadth of knowledge. “He’s a marvellous villain,” John Aylesworth proclaimed with a note of satisfaction.

Even the cast and crew found it difficult to warm to Berton at first. Fred Davis found him “a cold fish.” “I can’t get close to him,” Davis told Alex Barris. A studio director thought that Berton’s arrogance was real: “Pierre was probably the most unpopular with the crews,” Steven Hyde said, “because they found him very snobby, very aloof. He was all for the working man but he didn’t want to rub shoulders with them.”

Arrogant or distracted? Aloof or shy? Perceptions of Berton varied, and a case could be made for each. The one truth universally acknowledged, however, was that Pierre Berton made Front Page Challenge a show to talk about from the moment of his first appearance. In November 1957, the Toronto Star media columnist William Drylie wrote, “Pierre Berton, said by some at CBC to be the hottest interviewer on tap . . . may be inviting over-exposure on TV. We’ve seen him on Tabloid, he’s on Close-Up, and now on Front Page Challenge three out of every four weeks.” But in the spring, when the program was bumped from its usual place in the television lineup to accommodate (what else?) the hockey schedule, Drylie wrote: “The Front Page Challenge show that was wept about was one of the tamer turkeys in the series and would never have been missed. Only Pierre Berton was worth his salt.”


From the Hardcover edition.

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0 of 0 people found the following review helpful.
This is a biography of a very interesting man, ...
By appaloosa
This is a biography of a very interesting man, but the writing itself is not very interesting. A very large volume that would probably appeal mostly to readers who are interested in the news media and personalities that are identified with it.

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Minggu, 20 Maret 2016

^^ Download PDF The Search for Good Government: Understanding the Paradox of Italian Democracy, by Filippo Sabetti

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The Search for Good Government: Understanding the Paradox of Italian Democracy, by Filippo Sabetti

Sabetti argues that poor government performance in contemporary Italy has been an unintended consequence of attempts to craft institutions for good - or democratic - government. He shows that, contrary to the conventional wisdom, a chief problem in contemporary Italy is not the absence of the rule of law but, rather, the presence of rule by law or too many laws. A principal conclusion of his study is that postwar Italian politics can best be understood as a laboratory for revealing how and why a search for good government can generate antithetical and counter intentional results. The Italian experience has important implications for all those who aspire to be self-governing - as opposed to state-governed - for it shows what people can do to enhance human cooperation in collective-action dilemmas,and suggests the probable results if "democracy" continues to be identified with parliamentary government and representative assemblies rather than with the universality of the village or the local community. The Search for Good Government changes our understanding of postwar Italian politics and provides new ways to evaluate the impact of the political changes that have occurred since 1992, arguing for a perceptual shift in the way we think about politics and the educative role of public institutions.

  • Sales Rank: #2935144 in Books
  • Brand: Brand: Mcgill Queens Univ Pr
  • Published on: 2000-05-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.33" h x 1.13" w x 6.24" l, 1.36 pounds
  • Binding: Hardcover
  • 288 pages
Features
  • Used Book in Good Condition

Review
"A superb book. It deals with a question of fundamental importance, offers a powerful, non-obvious, and convincing analysis, and sheds new and penetrating light on the particular case examined. Sabetti offers an interpretation that stands counter to the prevailing orthodoxy and recasts the understanding of Italian politics. Indeed, it the best book that I have read on Italian politics in a very long time." Alan Zuckerman, Department of Political Science, Brown University. "An excellent study that builds on the James Buchanan tradition of focusing on constitutional choice and the implications that follow from a theory of constitutional choice ... The Search for Good Government is stimulating to read and addresses many of the crucial issues facing the contemporary world." Vincent Ostrom, co-director, Workshop in Political Theory and Policy Analysis, and professor emeritus of political science, Indiana University.

About the Author
Filippo Sabetti is a professor in the Department of Political Science at McGill University.

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Kamis, 17 Maret 2016

^ Ebook How the Heather Looks: A Joyous Journey to the British Sources of Children's Books, by Joan Bodger

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How the Heather Looks: A Joyous Journey to the British Sources of Children's Books, by Joan Bodger

Over forty years ago, Joan Bodger, her husband, and two children went to Britain on a very special family quest. They were seeking the world that they knew and loved through children’s books.

In Winnie-the-Pooh Country, Mrs. Milne showed them the way to “that enchanted place on the top of the Forest [where] a little boy and his Bear will always be playing.” In Edinburgh they stood outside Robert Louis Stevenson’s childhood home, tilting their heads to talk to a lamplighter who was doing his job. In the Lake District they visited Jemima Puddle-Duck’s farm, and Joan sought out crusty Arthur Ransome to talk to him about Swallows and Amazons. They spent several days “messing about in boats” on the River Thames, looking for Toad Hall and other places described by Kenneth Grahame in The Wind in the Willows. Mud and flood kept them from attaining the slopes of Pook’s Hill (on Rudyard Kipling’s farm), but they scaled the heights of Tintagel. As in all good fairy tales, there were unanswered questions. Did they really find Camelot? Robin Hood, as always, remains elusive.

One thing is certain. Joan Bodger brings alive again the magic of the stories we love to remember. She persuades us that, like Emily Dickinson, even if we “have never seen a moor,” we can imagine “how the heather looks.”

First published in 1965 by Viking in New York, How the Heather Looks has become a prized favorite among knowledgeable lovers of children’s literature. Precious, well-thumbed copies have been lent out with caution and reluctance, while new admirers have gone searching in vain for copies to buy second-hand. This handsome reprint, with a new Afterword by Joan Bodger, makes a unique and delightful classic available once more.


From the Hardcover edition.

  • Sales Rank: #783512 in Books
  • Brand: Emblem Editions
  • Published on: 2010-02-16
  • Released on: 2010-02-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .49" w x 5.18" l, .55 pounds
  • Binding: Paperback
  • 264 pages
Features
  • Used Book in Good Condition

Review
“If we are lucky, our minds are furnished with the words and stories that spring from the English earth – the winds that wuthered around the Secret Garden, Ratty’s riverbank, the magic isle of Avalon, Pook’s Hill, and the Swallows and Amazons’ Wildcat Island. To journey back with Joan Bodger as a guide is a rare treat – she winkles out wonderful literary connections at every turn. You’d have to be made of stone not to feel the old enchantment stirring again. Bodger’s prose is tart with humour and warm with intelligence – and the whole venture is sparked with the fresh wonderment of seeing the ancient story-places through her children’s eyes.”
–Michele Landsberg

“For anyone who loves Britain or English literature, especially children’s literature…it was one of the greatest pleasures of the publishing season.”
–Horn Book

“A feast for any lover of English children’s books.”
–Christian Herald

“One of the most satisfying rambles we have taken in years.”
–Mademoiselle


From the Hardcover edition.

From the Inside Flap
Over forty years ago, Joan Bodger, her husband, and two children went to Britain on a very special family quest. They were seeking the world that they knew and loved through children?s books.

In Winnie-the-Pooh Country, Mrs. Milne showed them the way to ?that enchanted place on the top of the Forest [where] a little boy and his Bear will always be playing.? In Edinburgh they stood outside Robert Louis Stevenson?s childhood home, tilting their heads to talk to a lamplighter who was doing his job. In the Lake District they visited Jemima Puddle-Duck?s farm, and Joan sought out crusty Arthur Ransome to talk to him about Swallows and Amazons. They spent several days ?messing about in boats? on the River Thames, looking for Toad Hall and other places described by Kenneth Grahame in The Wind in the Willows. Mud and flood kept them from attaining the slopes of Pook?s Hill (on Rudyard Kipling?s farm), but they scaled the heights of Tintagel. As in all good fairy tales, there were unanswered questions. Did they really find Camelot? Robin Hood, as always, remains elusive.

One thing is certain. Joan Bodger brings alive again the magic of the stories we love to remember. She persuades us that, like Emily Dickinson, even if we ?have never seen a moor,? we can imagine ?how the heather looks.?

First published in 1965 by Viking in New York, How the Heather Looks has become a prized favorite among knowledgeable lovers of children?s literature. Precious, well-thumbed copies have been lent out with caution and reluctance, while new admirers have gone searching in vain for copies to buy second-hand. This handsome reprint, with a new Afterword by Joan Bodger, makes a unique and delightful classic available once more.

From the Back Cover
“If we are lucky, our minds are furnished with the words and stories that spring from the English earth – the winds that wuthered around the Secret Garden, Ratty’s riverbank, the magic isle of Avalon, Pook’s Hill, and the Swallows and Amazons’ Wildcat Island. To journey back with Joan Bodger as a guide is a rare treat – she winkles out wonderful literary connections at every turn. You’d have to be made of stone not to feel the old enchantment stirring again. Bodger’s prose is tart with humour and warm with intelligence – and the whole venture is sparked with the fresh wonderment of seeing the ancient story-places through her children’s eyes.”
–Michele Landsberg

“For anyone who loves Britain or English literature, especially children’s literature…it was one of the greatest pleasures of the publishing season.”
–Horn Book

“A feast for any lover of English children’s books.”
–Christian Herald

“One of the most satisfying rambles we have taken in years.”
–Mademoiselle

Most helpful customer reviews

28 of 28 people found the following review helpful.
A gem for those who truly believe children's books matter
By J. Rizzo
This book is a rare gem for anyone who truly believes that children's books matter. Joan Bodger writes engagingly about her family's journey to Britain to discover the places and landscapes that inspired the writers of their favorite children's books, including Kenneth Grahame, A. A. Milne, Beatrix Potter, Rudyard Kipling and others. Pooling the family's talents (the author's passion for stories, her husband's research skills and her children's imaginations) they set off on a summer-long adventure scouring the back roads and villages of England to find prototypes for Toad Hall, the Hundred Acre Wood, King Arthur's Camelot and more. This is a book that opens up remarkable possibilities for travelling with children and for honoring the world of childhood. A far cry from Disneyland...

10 of 10 people found the following review helpful.
A Wonderful Vacation
By LonestarReader
If you love children's books and/or are an Anglophile at heart, you will love this book. The Bodger family is on a quest around England to find Pooh's Enchanted Place, Toad Hall and other places from classic British children's books. In addition to enjoying their literary discoveries, I enjoyed Joan Bodger's descriptions of the special challenges of traveling with young children. Food, laundry, and places for their children to play are as important as locating Beatrix Potter's farm. While reading this book I felt as if I were on a vacation with some very good friends. I loved this book.

8 of 8 people found the following review helpful.
A classic book on England & children's literature
By A Customer
I would recommend this book to anyone- as a read-aloud, a travel book, or just something to read to yourself. Mrs. Bodger & her family truly loved English lit., and her love for it shines through. In this book you will discover Narnia, Beatrix Potter's country, Kipling's "Puck of Pook's Hill" ( a delightful look at old England) and many other such treasures. Mrs. Bodger's writing style is clear, her family wonderful- and the subject, English children's literature- will always be fantastic.

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