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Storyboarding Essentials: SCAD Creative Essentials (How to Translate Your Story to the Screen for Film, TV, and Other Media), by David Har
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A comprehensive guide to visual storytelling from Savannah College of Art and Design (SCAD), one of the world's leaders in sequential arts instruction. Storyboarding is the process of graphically organizing a project--a motion picture, animation, motion graphic, or interactive media sequence--in order to translate artists' ideas from story to screen. Whether you're a filmmaker, animator, ad director, writer, or video-game artist--storyboarding is a skill that is absolutely critical. Storyboarding Essentials covers everything students and working professionals need to master the art of writing and formatting scripts, creating frames, and following visual logic to create a cohesive narrative.
- Sales Rank: #53107 in Books
- Brand: Books
- Published on: 2013-06-25
- Released on: 2013-06-25
- Original language: English
- Number of items: 1
- Dimensions: 10.89" h x .62" w x 8.52" l, 1.75 pounds
- Binding: Paperback
- 192 pages
About the Author
BENJAMIN REID PHILLIPS has been teaching drawing, storyboarding, and sequential art courses at SCAD since 2004. He is also a sequential artist and illustrator whose work has been featured in the Cartoon Art Museum's Monsters of Webcomics series. He won the Georgia College Press Association's Best Editorial Feature for his District serial, Dr. Dead. Phillips has also worked on Devil's Due comic edition of FOX's hit TV series, Family Guy.
DAVID HARLAND ROUSSEAU has taught drawing and design courses at SCAD since 2005. He is an entrepreneur, author, award-winning illustrator, graphic designer, actor, and former video journalist and news reporter. In 2008, he was named to the Business Report and Journal's "40 Under 40" list, and is the recipient of a Silver ADDY Award. He has also written Savannah Tavern Tales and Pub Review and Savannah Ghosts: Haunts of the Hostess City, illustrated by Julie Collins.
Excerpt. © Reprinted by permission. All rights reserved.
Regardless of genre or discipline, storyboards share a language that reflects the jargon and terminology employed by industries born out of the filmed visual narrative. They connect written word to final cut; they concern themselves with what the camera “sees” (framing height, camera angle, and movement); they use standard and recognized formats (aspect ratios); and they even employ similar organizational systems (numbering). While the cinematographer relies on instinct and experience, a good storyboard artist will develop a strong understanding of camera angles and framing heights to help the director achieve his or her vision.
Most helpful customer reviews
31 of 36 people found the following review helpful.
Decent to start, useless for professionals
By BDeLoach
I have a hard time being a fan of this book. I've got a half dozen books on storyboarding and I've found this to be one of the weaker ones. It certainly is a solid overview of the topic but for any aspiring professional artists looking to really grow their skillset, it's very lacking. Also really bugs me that they use weak student school projects as examples of how to create a professional storyboard. Comes off as very silly to me to use a student's work to try teaching aspiring/seasoned professionals. Another thing is, when it goes over "artists materials" it doesn't even touch on digital tools. 80% of artists in the industry work exclusively on digital tablets and all it does is talk about pencils and markers. Really needs an update. I'm a professional story artist myself and I was hoping for a fresh perspective and to get some insight from some amazing veteran artists. Certainly not the case with this read.
Framed Ink has taught me immensely about visual storytelling, Mark Simon's book covers the business aspect of the trade quite well. Just think there are many better options out there.
7 of 7 people found the following review helpful.
Wish I had this book 30 years Ago
By J.Kennedy
Storyboarding is a must have skill today. This book is easy to understand and visually demonstrates the steps. Even if you are not an illustrator, and especially if you are not an illustrator, this book is invaluable. Whether producing a commercial or a short video, film or in house film. Just the logic and thought process, interpreting scripts and the planning skills you acquire are fantastic. Wish I had this book years ago.
9 of 10 people found the following review helpful.
This may sound like a minor complaint
By Bob Kronlge
I believe the second illustration of the "damsel" on page 100 is backwards! The text then goes on to boldly state that it does not violate the '180 degree rule', but it does! This may sound like a minor complaint, but if I hadn't studied film continuity 30 years ago in college, this error would have convinced me I wasn't understanding the concept. The woman appears to have turned around and is running TOWARDS THE CHAINSAW MURDERER! Two 'experts' wrote this book and neither one caught the error?
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