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From Lowbrow to Nobrow, by Peter Swirski
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Swirski begins with a series of groundbreaking questions about the nature of popular fiction, vindicating it as an artform that expresses and reflects the aesthetic and social values of its readers. He follows his insightful introduction to the socio-aesthetics of genre literature with a synthesis of the century long debate on the merits of popular fiction and a study of genre informed by analytic aesthetics and game theory. Swirski then turns to three "nobrow" novels that have been largely ignored by critics. Examining the aesthetics of "artertainment" in Karel Capek's War with the Newts, Raymond Chandler's Playback, and Stanislaw Lem's Chain of Chance, crossover tours de force, From Lowbrow to Nobrow throws new light on the hazards and rewards of nobrow traffic between popular forms and highbrow aesthetics.
- Sales Rank: #1276887 in Books
- Brand: Brand: Mcgill Queens Univ Pr
- Published on: 2005-10-24
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .60" w x 6.00" l, .78 pounds
- Binding: Paperback
- 236 pages
- Used Book in Good Condition
Review
"Swirski writes intelligently, quotes copiously, and approaches his themes passionately". --Montreal Review of Books
"Swirski begins with a series of groundbreaking questions about the nature of popular fiction, vindicating it as an art form that expresses and reflects the aesthetic and social values of its readers. He follows his insightful introduction to the socio-aesthetics of genre literature with a synthesis of the century-long debate on the merits of popular fiction and a study of genre." -- Review of International American Studies
"eye-opening must-read about popular literature as art... the best study to date of the rise of that novel literary-cultural formation 'nobrow.'" -- Popular Culture Review
"I would rank this book among the top five in popular culture studies."
About the Author
Peter Swirski is a Canadian scholar and literary critic featured in Canadian Who's Who. He is Amazon's #1 Bestseller in American Literary Criticism and in Canadian Literary Criticism. Specialist in American literature and American Studies as well as in studies of popular culture, he is the author of fifteen award-winning books, including Ars Americana, Ars Politica (2010), American Utopia and Social Engineering (2011), American Political Fictions: War on Errorism (2015), and From Highbrow to Nobrow (2016).
Most helpful customer reviews
63 of 64 people found the following review helpful.
Nobrow again
By academic reader Sam
I have just finished this book and was struck that none of the previous reviewers mentioned what is surely the obvious point of comparison. For the record, this book actually mentions John Seabrook's Nobrow published in 2000, so relatively recently. Unfortunuately for John Seabrook, the comparison is one sided: From Lowbrow to Nobrow is a much better book. It shows how the critical job of analyzing the cenceptual nature and cultural significance of "nobrow" ought to be done. Almost all reviewers on Seabrook's site agree that his book is for the most part self-indulgent, although I admit that it has its moments, especially when blitzing through the various fads and cults that add up to movie culture. Swirski's book is not only better written but supplies what Seabrook's doesn't: a gargantuan amount of information about all aspect of popular and nobrow cultures on less than 200 pages. I currently own both but I am hanging on to one, the other's for sale (guess which).
50 of 52 people found the following review helpful.
A five star experience
By Timothy Hartley
I purchased this book upon recommendation from an American friend of mine and I read it in one evening. This is a thoroughly delightful volume (and teachable), full of fascinating facts and details, and very informal without for a moment ceasing to be informative. The first part exposes any number of myths, misunderstandings, and patent inaccuracies that characterize the realm of popular fiction (let us be honest, the books that you and I read). The second part, meant to illustrate the general theses advanced in part one, is actually an independent discussion of "nobrow" literature. By the way, even as I share the preceding reviewers' enthusiasm, I must profess especial liking for the discussion of the three "nobrow" masterpieces in part two, especially Raymond Chandler. Can somebody set up a website for discussion of "nobrow" literature?
32 of 32 people found the following review helpful.
From Lowbrow to Nobrow - A Book WELL Worth your time!
By Zane Clarke
Peter Swirski is on a mission!
Peter Swirski's book From Lowbrow to NoBrow is a compelling and ambitious work in the area of literature studies. As has been mentioned, Swirski's main argument lies in the fact that he is trying to "wipe the brow" (pun intended) of distinction amongst works of literature, essentially calling for the banishment of the title "lowbrow" for those books deemed "not sophisticated enough for serious academic study". Swirski contends that while there are many books out there that don't warrant said serious academic study, there are just as many that do, and should be examined through an academic framework.
It is my belief that Swirski is correct in this line of thinking; it is sad and indeed flippant to dismiss a novel and reserve academic study of it, because it is considered "genre fiction" or simplistic. There is a great distinction in the halls of academia concerning what is studied and what is not, what is worthy and what is worth glossing over or not covering at all. Swirski is saying, and indeed proving with his examples, that many previously glossed over works, which would be looked at with disdain, and more than a little contempt, need to be truly examined, and not simply pushed to the side because of their sources or content. It is a very provocative idea indeed to challenge the academic snobbery that is present in the study of literature, and even more admirable to submit that not only should the "canon" be studied, but things like genre fiction, at that, should be examined also, expanding the scope of investigation and getting a look at the whole picture, not just a segment of it. This is a rather bold idea, and Swirski, armed with his examples, wit, a wealth of knowledge about what he is writing about, and a little bit of attitude, tries to prove this to the reader.
Swirski blazes forward with his contention that genre fiction, whatever type it may be, may stand on its own merit, should not be considered "lowbrow". In fact, wait for it - the study of literature should not pit "highbrow" versus "lowbrow", and in the end, we should have "nobrow", simply evaluating books on their own strengths and weaknesses, not placing labels on them.
It is my opinion that Swirski takes a wonderful swipe at the "looking down the nose" of academia, and that he is successful at his attempt. By no means can this book cover all arguments and examples in terms of this debate, but it exerts a valiant effort to do so, and to change people's minds. "Leveling the playing field" in literature is a tall order, and Swirski has shown that he is more than up for the challenge. I highly recommend this book - prepare to have a shift in your "brows"!
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