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9/12/16 is the Tenth Anniversary of World War Z’s publication!
We survived the zombie apocalypse, but how many of us are still haunted by that terrible time? We have (temporarily?) defeated the living dead, but at what cost? Told in the haunting and riveting voices of the men and women who witnessed the horror firsthand, World War Z, a #1 New York Times bestseller and the basis for the blockbuster movie, is the only record of the plague years.
- Sales Rank: #920476 in Books
- Brand: Novels Broadway
- Published on: 2013-05-14
- Released on: 2013-05-14
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .90" w x 5.10" l, .65 pounds
- Binding: Paperback
- 352 pages
From Publishers Weekly
Brooks, the author of the determinedly straight-faced parody The Zombie Survival Guide (2003), returns in all seriousness to the zombie theme for his second outing, a future history in the style of Theodore Judson's Fitzpatrick's War. Brooks tells the story of the world's desperate battle against the zombie threat with a series of first-person accounts "as told to the author" by various characters around the world. A Chinese doctor encounters one of the earliest zombie cases at a time when the Chinese government is ruthlessly suppressing any information about the outbreak that will soon spread across the globe. The tale then follows the outbreak via testimony of smugglers, intelligence officials, military personnel and many others who struggle to defeat the zombie menace. Despite its implausible premise and choppy delivery, the novel is surprisingly hard to put down. The subtle, and not so subtle, jabs at various contemporary politicians and policies are an added bonus. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
"The Crisis" nearly wiped out humanity. Brooks (son of Mel Brooks and author of The Zombie Survival Guide, 2003) has taken it upon himself to document the "first hand" experiences and testimonies of those lucky to survive 10 years after the fictitious zombie war. Like a horror fan's version of Studs Terkel's The Good War (1984), the "historical account" format gives Brooks room to explore the zombie plague from numerous different views and characters. In a deadpan voice, Brooks exhaustively details zombie incidents from isolated attacks to full-scale military combat: "what if the enemy can't be shocked and awed? Not just won't, but biologically can't!" With the exception of a weak BAT-21 story in the second act, the "interviews" and personal accounts capture the universal fear of the collapse of society--a living nightmare in which anyone can become a mindless, insatiable predator at a moment's notice. Alas, Brad Pitt's production company has purchased the film rights to the book--while it does have a chronological element, it's more similar to a collection of short stories: it would make for an excellent 24-style TV series or an animated serial. Regardless, horror fans won't be disappointed: like George Romero's Dead trilogy, World War Z is another milestone in the zombie mythos. Carlos Orellana
Copyright © American Library Association. All rights reserved
Review
#1 NEW YORK TIMES BESTSELLER
USA TODAY BESTSELLER
WALL STREET JOURNAL BESTSELLER
“An ‘oral history’ of the global war the evil brain-chewers came within a hair of winning. Zombies are among us—turn on your television if you don’t believe it. But, Brooks reassures us, even today, human fighters are hunting down the leftovers, and we’re winning. [His] iron-jaw narrative is studded with practical advice on what to do when the zombies come, as they surely will. A literate, ironic, strangely tasty treat.”
—Kirkus Reviews (starred review)
“Max Brooks has charted the folly of a disaster response based solely on advanced technologies and brute force in this step-by-step guide to what happened in the Zombie War. He details with extraordinary insight how in the face of institutional missteps and greed, people in unexpected ways achieve unique, creative, and effective strategies to survive and fight back. Brooks’s account of the path to recovery and reconstruction after the war is fascinating, too. World War Z provides us with a starting point, at least, a basic blueprint from which to build a popular understanding of how, when, and why such a disaster came to be, and how small groups and individuals survived.”
—Jeb Weisman, Ph.D.,Director of Strategic Technologies, National Center for Disaster Preparedness
“Possesses more creativity and zip than entire crates of other new fiction titles. Think Mad Max meets The Hot Zone . . . It’s Apocalypse Now, pandemic-style. Creepy but fascinating.”
—USA TODAY
“Prepare to be entranced by this addictively readable oral history of the great war between humans and zombies. . . . Will grab you as tightly as a dead man’s fist. A.”
—Entertainment Weekly, EW Pick
“Probably the most topical and literate scare since Orson Welles' War of the Worlds radio broadcast. . . . This is action-packed social-political satire with a global view.”
—Dallas Morning News
“Brooks [is] America’s most prominent maven on the living dead. . . . Chilling. . . . It is gripping reading and a scathing indictment of weak responses to crises real and over-hyped.”
—Hartford Courant
“A sober, frequently horrifying and even moving account. . . . Brooks has delivered a full-blown horror novel, laced with sharp social and political observations and loads of macabre, gruesome imagery. . . . The real horror of World War Z comes from the all-too-plausible responses of human beings and governments to the menace.”
—Fangoria
“A horror fan’s version of Studs Terkel’s The Good War. . . . Like George Romero’s Dead trilogy, World War Z is another milestone in the zombie mythology.”
—Booklist
“Brooks commits to detail in a way that makes his nightmare world creepily plausible. . . . Far more affecting than anything involving zombies really has any right to be. . . . The book . . . opens in blood and guts, turns the world into an oversized version of hell, then ends with and affirmation of humanity’s ability to survive the worst the world has to offer. It feels like the right book for the right times, and that’s the eeriest detail of all.”
—A.V. Club, The Onion
“The best science fiction has traditionally been steeped in social commentary. World War Z continues that legacy. . . . We haven’t been this excited about a book without pictures since–well, since ever.”
—Metro
“Each story locks together perfectly to create a wonderful, giddy suspense. Brooks also has the political savvy to take advantage of any paranoia a modern reader might feel. . . . The perfect book for all us zombie junkies.”
—Paste
“This infectious and compelling book will have nervous readers watching the streets for zombies. Recommended.”
—Library Journal
Most helpful customer reviews
748 of 875 people found the following review helpful.
A classic piece of horror and apocalyptic writing
By A. Sandoc
I was one of many who heard about Max Brooks' satirical guide book The Zombie Survival Guide: Complete Protection from the Living Dead. Being a huge fan of George A. Romero's Dead series of films and just the zombie subgenre in general, I was intrigued by the release of this guidebook. From the first page to the last I was impressed, entertained, and hooked on Brooks' serio-comic take on how to survive a zombie outbreak. One section of the book which really caught my interest and has remained a favorite to reread over and over was the final one which details the so-called "historical" instances of past zombie outbreaks throughout history. From as far back as Ancient Egypt and Rome up to the late 1990's. My only gripe about that section of the book was that it was all-too-brief. I felt that it could've been made longer and even would've made for a fine book on its own. Maybe I wasn't the only one to have wished for such a thing to happen for it seems that Brooks himself might have thought the same thing. His latest book in his trip through the zombie genre is titled World War Z: An Oral History of the Zombie War and it takes the final chapter of his previous book and expands on it. But instead of using past "historical events" to tell his story Brooks goes into the near future to describe what would happen if the zombies ever did bring the human race to the brink of extinction and how humans finally learned how to fight back and take back the world.
World War Z is a fictional account of a worldwide outbreak of the living dead in the near future and judging from some of the descriptions of places and events in the beginning of the book it won't be too far in the future. WWZ is done in an interview-style format with each chapter consisting of first-person interviews of individuals who lived through the Zombie War from its initial outbreak to it's final battles and mop-up operations. The sampling of survivors interviewed range from soldiers who fought the losing battles in the early going of the war when lack of information, outdated tactics, and illogical reactions to the zombie outbreak contributed to humanity almost losing the war. These soldier survivors explain how humanity became its own worst enemy when it came to protecting its own and combatting the growing ranks of the zombies. Some of the mistakes were unavailable as information on how to combat the zombies were far and few and even then most were unreliable. Some mistakes on the other hand many today would consider as unconscionable as war-profiteers and those willing to put keep a hold on their own power would sacrifice their own people to keep it so.
There's also regular people who survived the war and who made great contributions during the dark days when humanity were pushed into isolated and fortified pockets of resistance as everywhere around them the zombie army grew exponentially. Some of these people were just children when the outbreak first began as rumors and unsubstantiated news reports. It's the words of those children now adults that show how war and conflict really takes the biggest toll on the smallest and helpless. One could substitute the wars in Iraq, Afghanistan, The Balkans and even Africa in lieu of Brooks zombie war and this book would still resonate. There's a particular entry of how children left to their own devices to try and survive alone in the wild with zombies all around have turned feral to the point that their capacity to learn and develop into adulthood has become stunted or even halted permanently.
Brooks' novel also puts in little veiled references to the events occurring now in the real world. There's mention of the unpopular war in the Persian Gulf as having a detrimental effect on the morale of troops once they returned home and how this helped make the initial fight to stem the tide of the zombies a losing proposition from the outset. There's also mention of Iran as having acquired a nuclear arsenal and how this leads to an incident early in the Great Panic of the zombie outbreak that speaks volume of what could happen if unstable states acquire weapons of mass destruction. Brooks' also gives a prescient look into a near future where the US and Europe stop being the economic superpowers of the world and step aside for the economic juggernaut that is China and India. All these inferences of today's geopolitical and economical events mirrors what might just come into fruition.
The interview format really gives the book a sense of realism despite the outrageous and fantastical nature of the book. As I read the book I was reminded of Stephen A. Ambrose's books on the men and women who fought during World War 2. Ambrose also used interviews and personal accounts to make up the bulk of his books like in Citizen Soldiers and Band of Brothers. Having a personal take on the events gave his books more emotional impact and really brought the emotions of the conflict to those who never experienced it. The same could be said about Max Brooks' World War Z. Even though it's fictional thru and thru it still made the reader think of how such an event, if it ever came to pass, could be so tragic, disheartening but in the end uplifting as it once again shows that humanity could still pull itself together through all its petty misunderstandings to survive. On a more stylistic point, Brooks' novel shares some similarities to Theodore Judson's sci-fi epic Fitzpatrick's War. Judson's book also tries to chronicle a future war which was shaped by religious and ideological forces. Where Judson goes way into the future of an alternate Earth, Brooks smartly stays to a more forseeable future that readers of his book would most likely see happen; hopefully a much brighter and less-zombified one.
Brooks' decision to forgo the usual linear and narrative style for this book also allowed him a certain bit of freedom to introduce one-shot characters in addition to those who appear regularly. In a more traditional novel such one-shot characters would seem useless and even unnecessary, but in this interview format it makes more sense since it's really just a collection of personalities trying to describe their own take of the Zombie War they lived through. Some people I know who have read advance reader's copies of the book (I was lucky enough to procure an ARC copy myself months in advance) have said that there's little or no talk of love and relationships in World War Z. I for one was glad that Brooks didn't try to force certain "interviews" where it talks of survivors finding love and relationships during the outbreak, through the war and all the way to the mop-up. This book chronicles tales of survival and horror. As much as a tale of love would've been a change of pace to all the death and horror in the interviews it would've been too drastic a change of pace. I would think that the last thing that most people would have in their minds when trying to survive day-to-day, if not hour-to-hour would be to stop for a moment and have sex, cuddle or other less-than survival behaviors.
All in all, Max Brooks' World War Z: An Oral History of the Zombie War takes a serious look at a fictional and fantastical premise and event with a serious eye. The book manages to be tragic and terrifyingly sot-on about how the world governments today could fail when confronted by such a horror of tremendous proportions. Unlike his funnier first book on the zombie subject, World War Z shows the flaws and failings of humanity and how it almost led to its extinction, but it also shows humanity's stubbornness in the face of total annihilation and how it could come together in cooperation to not just survive but take back the world. In times of extreme adversity man can be brought to his knees but also show his resilience. A great novel and one that deserves reading from not just fans of the horror and zombie subgenre, but those who enjoy taking a peek into what could be, no matter how outrageous.
218 of 259 people found the following review helpful.
"Dawn of the Dead" meets "An Inconvenient Truth"
By Daniel Friedman
Other reviewers are correct that Brooks approaches the problem posed by a zombie issue as a problem to be solved within the structure of modern global politics. In my opinion, the approach of focusing on the response to the zombie plague is more sophisticated and more timely than making an allegory of the zombies themselves.
It was Romero who took the voodoo myth of the reanimated corpse and popularized an idea of the zombie as a vessel for a communicable plague. He identified a fundamental anxiety and created new monster in response to modern anxieties. However, his use of the zombies as a critique of consumer culture isn't as fresh an observation as it might have been in the 70s, which is the most pertinent criticism of the recent "Dawn of the Dead" remake.
To the modern audience, the idea of zombies carries undercurrents of AIDS, biological warfare, and terrorism, and Brooks is one of the first to recognize and tap into that in an intelligent way. He's taken a specialized, genre subject and elevated it here to something that is literary. And while there will certainly be some who will be disappointed not to find the pages filled with endless descriptions of severed limbs and smashed brains, Brooks lays on enough of the biological details to keep the subject from becoming abstract, while keeping his focus aimed on something more significant.
As Brooks envisions it, the zombie plague encompasses the threat of terrorism and global war, natural catastrophes like Hurricane Katrina or the devastating tsunami, and global disease scares like avian flu and SARS.
There are two outcomes of a story about a zombie plague; either it consumes and annihilates humanity, or it is contained by the organized action of something like a government. As a domestic political parable, Brooks doesn't throw any hard punches. He envisions America triumphing over the zombies under a national unity government of both parties, with Colin Powell and Howard Dean as president and vice president respectively.
Powell and Dean are not named but are clearly identified, with Dean providing a narrative, in which he is identified as a "whacko" retired to Burlington, Vermont. He makes allusion to his rising political star and subsequent "meltdown," and mentions the president's military training and Jamaican relatives.
I also think some readers may have misinterpreted the narratives about Israel. As I understood Brooks's narrative, in his "near future" Israel had unilaterally withdrawn from the West Bank behind a security barrier and the Palestinians had declared statehood in the territories. Brooks sees Israel as being the first nation to directly address the zombie outbreak by declaring a national quarantine, effectively made possible by the much-criticized barriers. Certainly Brooks's imagining of these events has a political undercurrent, but I'd see it as a center-right
While early in the book, a showy exertion of American military technology proves useless against the inexorable tide of the undead, but later on, it is the American military that adapts and develops the techniques to defeat the zombies.
Some may find it politically offensive that Brooks approaches the zombies as a problem simultaneously emerging globally, and paints the response to the problem from the perspective of people from various countries. However, the approach to emerging problems like communicable disease, terrorism and climate change as global has been broadly accepted by all but the most polar extremes of the politcal spectrum.
Several of the ideas are legitimately controversial. Brooks envisions Russia organizing as a sort of neo-Tsarist theocracy, and China pushing back the zombie tide only after a civil war which removes its establishment. Nuclear exchange occurs between Iran and Pakistan, emerging from a dispute over refugees from the plague, and Brooks explains this from the perspective of an Iranian diplomat who wryly suggests that traditional enemies have the diplomatic mechanisms necessary to prevent nuclear war, while traditional allies would not be able to communicate in a dispute growing from a crisis.
The policy, implemented globally, which saves humanity is also disturbing, and Brooks treats it as such. Formulated by a calculating, almost sociopathic former policy-maker from apartheid South Africa, the plan calls for the abandonment of large swaths of the uninfected population to serve as bait to distract the zombies, while the military establishment and necessary personnel retreated to and secured defensible "safe zones."
Perhaps Brooks's most radical position is the notion that the trappings of modern society must be abandoned in this kind of crisis. Professionals from the modern American service economy are re-trained by their former plumbers and housekeepers to perform the kind of tasks necessary in the wake of the zombie induced economic crash.
The military abandons its high-tech weaponry and communications mechanisms in favor of single-shot rifles, revolutionary-era firing formations, highly trained dogs, and multipurpose shovels called Lobotomizers that can be used like axes to decapitate zombies. In Europe, refugees ride out the zombie plague by holing up in old castles and fighting off the undead with medieval weapons pilfered from museums. A brilliant Indian general fights off the zombies by positioning his soldiers in a square formation reminiscent of the ancient Greek phalanx.
Ultimately, Brooks, whose previous book explored a similar theme and managed to achieve humor by taking the hypothetical problem extremely seriously, invites audiences to really treat the idea of zombies seriously by approaching them realistically, both as a military problem and a political crisis.
314 of 376 people found the following review helpful.
What an amazing book!
By J. R Weaver
Like several other reviewers, I read and enjoyed Max Brooks' 'Zombie Survival Guide', but I was skeptical as to whether he could strike gold twice in a row. Much to my satisfaction, the answer was yes.
World War Z isn't so much a novel as it is a collection of very personal recollections of people who have lived through - literally - hell on earth. In a way, it reminded me of news footage of these walls you see where, during a civil war, or natural disaster, people go and leave notes for loved ones, hoping someone, anyone, will see them. Every time I see something like that, it strikes me as hopeless and desperate, but at the same time noble and uplifting. In short, what makes us human. This book gave me the same reaction. I preordered it from Amazon, received it this morning, and finished it about an hour ago. I wish I'd rationed it out a bit, because I didn't want that feeling to end - the feeling of reading the accounts of some of the bravest souls who (n)ever walked the earth.
The only other book I've read that comes close to this in 'feel' is Warday, by Whitley Strieber and James Kunetka. But even that is too one-sided; the authors' own opinions and views are clearly dominant. In World War Z, each individual vignette is unique and special; from Tibetan smugglers to dirigible pilots to ex-politicians, each 'interview' has its own distinct voice.
In closing, I'd just like to say that while George Romero may be the father of the 'zombie genre', Max Brooks may well exceed him. Blasphemy? Nope. Just my opinion. One that is hopefully shared by millions of others.
PS: Here's hoping they don't butcher it when they make the movie! :D
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